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...sovereign succeeded sovereign, Gobelins faithfully followed painting as a kind of painstaking handmaiden. Not until 1937, when French Painter Jean Lurcat introduced abstractions, were the weavers released from traditional subject matter. The revitalized Gobelins factory also attracted the designs of the 20th century's most prominent artists, including Marc Chagall, Jean Arp, Victor Vasarely and Miro. Inspired by the fresh results, contemporary architects awoke to the fact that tapestries provide a highly effective counterpoint for vast spaces and cold materials. Says Miro, enthusiastically planning to collaborate with architects on new tapestries: "As modern man becomes increasingly restless, moving from...

Author: /time Magazine | Title: Tapestry: Warp & Woof for the Ages | 9/30/1966 | See Source »

Unseen Until Finished. Aubusson was making tapestries as long as 500 years ago, but in the igth century it turned to making carpets, with only a few remaining hand looms turning out commercial copies of famous tapestries. Since Lurcat revived the art of the tapissier, Aubusson has seven workshops turning out the work of modern designers on hand looms. For his own works Lurcat has shunned the standard "library'' of 14,500 different tones of wool and adopted a more practical 13 colors; he has also restored the old 14th century weave of six threads per centimeter...

Author: /time Magazine | Title: Art: The Heroic Art | 8/31/1962 | See Source »

...midst of a booming technological age, ancient crafts have managed not only to survive, but actually flourish. A prime example is France's centuries-old weaving industry, which was revitalized by a handful of dedicated artists headed by Jean Lurcat and Marcel Gromaire during the grim days of the World War II German occupation. Working in Aubusson close to the looms, and designing sketches in some 50 colors (v. 1,440 tones used by 19th century weavers), modern French tapestry designers have made the old craft into a contemporary medium...

Author: /time Magazine | Title: Art: MURALS OF WOOL | 6/22/1959 | See Source »

...these the laws which Homer gave? Figures cut from a fashion magazine pasted on canvas, geometric background: "Street In Montevidco", Norah Borges... By Lurcat, reinder horns growing out of earth tall as trees; a leaf large as a mountain, "Paysage Romantique"... One steer's head, one girl's head, a railroad track, one prairie, in oil and framed, "Paysage Andalou," by Jose Moreno Villa... And it was with profound regret that the Vagabond saw his friend's portrait, Edwin Arlington Robinson, taken down and replaced with a portrait which resembles the Vagabond's hag-in all respect dear women...

Author: NO WRITER ATTRIBUTED | Title: The Vagabond | 11/20/1935 | See Source »

...liberation of the artist. The steps by which the Impressionists and Post Impressionists established this freedom, and its particular adaptation by the Cubists, the Expressionists and the Post War Group are outlined in the exhibition. Monet, Seurat, Cezanne, Van Gogh, Gauguin, Degas, Matisse, Picasso, Marc, Villon, Leger, Cocteau, Lurcat, Hugo are a few of the artists shown. A statement of the chief interest and contribution of each will be printed under the paintings...

Author: NO WRITER ATTRIBUTED | Title: HARVARD SOCIETY FOR CONTEMPORARY ART HAS DISPLAY | 10/30/1931 | See Source »

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