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...Luscious Strings...

Author: /time Magazine | Title: Letters, Nov. 27, 1950 | 11/27/1950 | See Source »

...Berlioz' overture Le Corsair, they heard all the noise that Berlioz' bounding score calls for, and marveled at the expertly modulated brasses, blended and balanced instead of blaring. In Mozart's Symphony No. 41, a Beecham specialty, the strings were firmer and not quite so luscious as U.S. strings, not so dry and nasal as the French. The woodwinds, clearly articulate, played with a tone of pure gold. It was a glossily polished performance-for some a disappointment because of its fussiness. But all in all, through Sibelius' tone poem Tapiola, a Beethoven Eighth Symphony laid...

Author: /time Magazine | Title: Music: Strictly for Pleasure | 11/6/1950 | See Source »

...Duse of Song (2 sides LP), out this month, younger opera lovers can hear the voice their elders have been talking about. Even though Esoteric has re-recorded its nine arias (including the Vissi d'Arte from Tosca) from 32-year-old cylinders, and Claudia Muzio's luscious voice is heard through a fog of needle scratch, her tones are full, even and velvety from top to bottom...

Author: /time Magazine | Title: Music: New Records, Oct. 16, 1950 | 10/16/1950 | See Source »

...Luscious Patricia Morison, who was on her uppers in filmdom before she romped and trilled through the Broadway smash Kiss Me, Kate, noted a change in the California climate: "A week or so ago when I sang at the Hollywood Bowl . . . people who used to nod and say 'Hello, Pat' . . . came dashing backstage and threw their arms around me, shouting 'Dahling, you were wonderful...

Author: /time Magazine | Title: People: People, Aug. 28, 1950 | 8/28/1950 | See Source »

Whitman took his readers on a mouthwatering tour of the Grand Street market: "What an array of rich, red sirloins, luscious steaks, delicate and tender joints . . ." At Hudson & Ottingnon's gym, he found a sweaty figure "laboring up a smooth pole with all the eagerness of a man struggling for life," and commended the practice to dyspeptic readers. At a temperance meeting, he noted with amusement a sign reading BEWARE THE FIRST GLASS.** Whitman, a nondenominational Christian, told how he explained the Crucifixion, by signs, to a deaf-mute child: "It was very singular . . . that the mind of this...

Author: /time Magazine | Title: The Press: A Walk with Walt | 8/7/1950 | See Source »

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