Word: lusciousness
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Dates: during 1930-1939
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Elsa Maxwell's Hotel for Women (Twentieth Century-Fox) introduces two new screen personalities: luscious, lissom Linda Darnell (her real name), 15, of Dallas, Texas, and fat, frenetic, fiftyish Elsa Maxwell, corkjester extraordinary to Manhattan's café society. In a complicated little story about life & love in a Manhattan residence hotel for women, untypical Miss Maxwell plays herself (explaining her presence in the unswank Sherrington as her substitute for a vacation in the mountains), popping out brisk remarks, decanting an occasional drop of the Maxwellian philosophy, which undoubtedly seems headier after 2 a. m. On cocktail parties...
Quite over-canopied with luscious woodbine...
...could not win without inspiration: Since most members of the crew liked to gloat over Milton Caniff's comic strip, Terry and the Pirates, which runs daily in the Boston Herald, they hit on the idea of asking him to send them a picture of one of his luscious, semi-nude female characters. Cartoonist Caniff obliged with a sketch of a girl named Burma. Harvard won by six lengths...
Leaving the set where he was at work with luscious Hedy Lamarr, he journeyed to San Diego with the woman he loves. Barbara Stanwyck, born Ruby Stevens in Brooklyn 31 years ago, divorced three years ago from waggish Frank Fay, is a man's woman who is best in roles like the saucy Irish engineer's daughter she plays in Union Pacific. Filed three days in advance, as California law requires, the names of S. Arlington Brugh and Ruby Stevens attracted no notice. The nervous bridegroom about to break millions of feminine hearts kept a nervous justice...
...performance in the title role. Besides looking like a true cowboy, Mr. Cagney shows a depth of character portrayal unusual for pictures of this type. Humphrey Bogart does a fine job as a leering and scheming villain. But Rosemary Lane has been badly miscast. Although she may present a luscious bit of femininity crooning dulcet lyrics in a Dick Powell musical, Miss Lane has not the force necessary to carry this heavy dramatic part. However, the film itself suffers from too much of this serious emotionalism. Its lack of an occasional touch of levity keeps it from being a truly...