Word: lusciousness
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...DeMille orgies. In the distance, on a raised loft that stood where the trains once came in and out, was a grimy white gleam: the spectral plaster of Rodin's Gates of Hell. In a side gallery, a visitor furtively ran his finger over the marble nipple of a luscious demimondaine writhing naked among stone roses, once the sensation of the salon of 1847, whose model had been apostrophized by Baudelaire...
...Crest. Inevitably, there are many of the California cliches -- hot goat cheese, cold pasta and dangerously raw salmon. Nevertheless, this erratic chef has a talent for simple dishes, among them lobster gazpacho, warm duck salad with turnip pancake, chopped lamb steak au poivre, T-bone steak cowboy style, a luscious warm vegetable stew and a fragrant polenta pound cake with Madeira cream...
...style. Even in paintings of calm and predictable subjects, like the girl seated by a vase of flowers in The Black Table, 1919, one sees his hand evoking the most difficult conjunctions of sight and imagination -- in the way the transparent Turkish blouse is rendered by a few luscious strokes of white over the flesh, for instance, or in the sliding knot of green and black shapes that defines the leg of the armchair. When Matisse saw the glitter of light on a band of water, he wanted to get it right, along with the curlicues of wrought iron between...
...black comedy of sexual manners, rookie director Spike Lee gathers the very biased and often hilarious testimony of all those involved with this charming creature. Bolstered by lovely photography, a luscious jazz score, and these sinfully rare perspectives (of blacks, a female rogue, and a lesbian), She's Gotta Have It is as elegant and bold as it is fresh and funny...
...architecture, the relative gifts of Hoffmann and Loos were reversed. Hoffmann seemed to lack a coherent, full-bodied vision: his designs were never more than the sum of their odd and luscious details. His best buildings, like the Purkersdorf Sanatorium (1904-08), stick rather intently to a naked neoclassicism. His supposed apotheosis, the Palais Stoclet (1905-11), is handsome in elevation but ponderously classical in plan and, in all, fussy and overrich. Loos used lavish materials too, but with a redeeming simplicity. He was a hard-liner about tarting up facades: "Ornament equals crime," he wrote. And though Loos' polemical...