Word: lushes
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Dates: during 1990-1999
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...painter always has--Giorgione, creator of the lyrical and utterly mysterious The Tempest. Dosso's work appealed to tastes fostered by Giorgione. And Giorgione certainly influenced Dosso, particularly in his treatment of landscape. From him Dosso learned how to unify his figures and the details of landscape around them--lush, wild, tinged with ominousness--in a comprehensive atmosphere instead of going from one sharp detail to another; and the weather effects of Dosso's paintings--storms, lightning bolts, sunsets, blue distances--are Giorgionesque...
...characteristic of Sierra Leone. Jim Stearns, an emergency-relief-operations specialist for care, says that when he first started going to Sierra Leone in 1989, nearly all the violence was across the border in Liberia, which was then in the midst of a civil war. Freetown, which sits amid lush rice paddies and rolling green hills, was established in 1787 as a home for freed slaves. The British cut off the slaves' shackles on a block in front of a cottonwood tree that still stands today. But the country is no paradise: the U.N. ranked it the least-developed nation...
...then the thought comes to me that this is the wilderness, not a zoo; the monkey is wild; the ceiba tree spreads its lush green cover in a vast tract of 4 million untrodden acres that constitute the Central Suriname Nature Reserve. Except for the few of us in the camp, there are no other people within a radius of 50 miles, nor is it likely that any people have even set foot in most of this land within the past thousand years. There are plenty of other species in evidence: rain forests contain a disproportionate share of the world...
...prismatic colors." And so, instead of speaking of science and humanities in a broad sense, Dawkins uses Unweaving the Rainbow to function as an odd sort of rebuttal in which he accuses Keats (and every other romantic poet who criticized science) as being patently wrong. Although Dawkins' writing is lush and poetic, his approach is bizarre and confusing. Dawkins wants to say ultimately, that Newton was no different from Keats. Both made it their life's mission to seek understanding of the world around them. But what Dawkins ends up doing is attacking Keats and bathing his whole argument...
...more profound. Martin Brest heaps on the excess--the film literally glitters in luxury (the ending fireworks scene is just unbelievable). But the spectacular visuals simply accentuate the problems in Meet Joe Black; instead of fleshed-out characters, instead of a compelling narrative, instead of subtlety, it offers us lush backgrounds and swelling music. Knowing full well that the movie can't elicit audience response on its own, Brest tries to shove romance down our throats...