Word: lushes
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...outlaw" hate toward people just because they are gay--voters in one corner of the country struggled with the most difficult and radical part of that agenda: the idea that same-sex relationships should not be morally, religiously or legally any different from opposite-sex ones. Marriage is lush with symbolism--pastors and vows, rings and rice--it's the civil heart through which the blood of state and religion both flow. "Going for marriage is like shooting for the moon," says Elizabeth Birch, head of the Human Rights Campaign, a gay political group. "It's our hardest issue...
...loving energy carried over into the next piece on the program, an arrangement by the violinist Vasa Prihoda of the waltzes from Richard Strauss's opera Der Rosenkavalier. The waltzes of Richard Strauss (better known as the "Waltz King" and composer of the famous Blue Danube Waltz) are always lush, sweeping and charmingly Romantic--an appropriately opulent depiction of turn-of-the-century Vienna. The problem in this piece was depicting the full orchestral grandeur of such a work with only an accompanied violin--a problem Gil Shaham easily overcame. His delivery of the waltzes was delightfully graceful and humorous...
Accommodations: Twice daily maid service, 24-hr. room service, closet safe, fully-stocked mini-bar (a lush's delight), marble bath, laundry service, plush terry cloth robes...
Together, they perform beautifully--Costello offers Bacharach his first substantial lyricist and collaborator since Hal David, while Bacharach roots Costello in a sound rich with splendid hooks and lush instrumentation. Costello entirely rises to the challenge of matching the Bacharach melodies with poignant musings on heartbreak, love stories laced with the chill of specific, damning truth. On the outstanding "This House is Empty Now," a moving portrait of a man who cannot make sense of the unreliable memories that inscribe his vacant home, Bacharach and Costello write: "Do you recognize the face fixed in that fine silver frame?/Were...
...that made Tennessee Williams' play so naggingly memorable. This slow-moving Streetcar is tonal but tuneless, sometimes violent but never sexy. Even the bluesy bits are oddly polite--an unexpected letdown from a composer-conductor who plays first-rate jazz piano on the side. Let's face it, Williams' lush prose needs no music: it is its own opera...