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Operation Overkill sets in, but the play is weak in credibility and ramshackle in structure. Only the actresses stand out. Eileen Heckart is a thorough delight as Dede's pal Bella Gardner, a swaying lush more avidly at home in bedrooms than boardrooms. In the juiciest part, Estelle Parsons blows through the play like a typhoon...

Author: /time Magazine | Title: The Theater: Women Bloody Women | 4/18/1977 | See Source »

...finished third in the Sherry Cup, an international competition held at Sotogrande. Sotogrande is a breathtaking course hewn out of the cork trees that grow in the lush valley of the Guadiare River. Two continents can be seen from the course as the misty silhouette of the Rock of Gibralter looms 22 miles out into the Mediterranean...

Author: By Robert Sidorsky, | Title: Ole, Captain Ajax | 4/16/1977 | See Source »

...center of the new Quincy House production of A Midsummer Night's Dream is the lush poetry of Shakespeare and images of reverie and nightmare, woven together carefully, like a spell. In Titiana's bower, the fairies, who also appear as the courtiers and in two choreographed scenes at the beginning and the end of the show, develop insect-like personalities and the dark underside of Puck is revealed. The elaborate production has been sealed together by the people who brought The Beggar's Opera to Adams House last year. In the stage's flood of dark blue light...

Author: By Diane Sherlock, | Title: STAGE | 4/14/1977 | See Source »

...staging, partially because of the play itself. Rappaccini's Daughter is very much a play for the ear. The emphasis is on language rather than dramatic development. The play was translated by the production staff with the help of Mr. Paz. Although the English may not be as lush as the original Spanish, the translation is quite smooth except for a few howlers. It's a much happier genesis than any Dr. Rappaccini ever attended...

Author: By Christine Healey, | Title: The Garden of a Supreme Artificer | 3/26/1977 | See Source »

...Lion in Winter is pure theater, verbally lush and crammed with dramatic peaks. Every scene builds to a stunning climax, as betrayals and counter-betrayals blaze into a crescendo of frustration and defeat. The play's stylized characterizations and heightened language looked like so much posturing and anachronism on the screen; but back on the stage, in the Leverett Old Library Theatre, they form the underpinnings of a first-rate production...

Author: By Julia M. Klein, | Title: Masks and Machetes | 3/24/1977 | See Source »

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