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...boarded a chopper with a Northeast Command colonel for a lightning supply and inspection visit to a forward company command post in a remote foothills barrio in Isabela province. As the scenery below us quickly changed from the lush lowland rice fields to the forbidding forests and gullies of the Sierra Madre highlands, the pilot climbed to 2,000 feet, respectfully out of range of Thompson submachine guns and AK-47s. Suddenly, when he spotted the tiny H-shaped landing pad, he put the chopper into a tight sinking spiral and landed in the barrio. The supplies were unloaded...

Author: /time Magazine | Title: THE PHILIPPINES: War of Suppression | 2/12/1973 | See Source »

...Tara, its name recalling Gone With the Wind and conjuring up phantoms of romantic fiction, is turned into a single huge stage set on which the plot to conceal the treachery is daily re-enacted like an eternal pageant. Bertolucci's ornate camera movements, along with the superbly lush lighting of Cinematographer Vittorio Storaro, stress the theatricality and artifice of the concept, making Tara a kind of sun-drenched cloister hewed out of time...

Author: /time Magazine | Title: Cinema: Labyrinths | 1/29/1973 | See Source »

Revolution also set the pattern of Bertolucci's lush, visual style, a kind of free-flowing flamboyance that seems to be a celebration of the act of filmmaking. There were references to movies, countless movies, everything from early Godard to Red River. Bertolucci continues this tradition of paying homage to his mentors: In The Spider's Stratagem, made in 1969, the camera lingers briefly over a poster for Robert Aldrich's Wagnerian western The Last Sunset; in Tango there is a scene aboard a barge, between Maria Schneider and Jean-Pierre Leaud, that is meant to evoke...

Author: /time Magazine | Title: Show Business: Bertolucci: Choreographer for the Movie Camera | 1/22/1973 | See Source »

Died. Eugene Berman, 73, Russian-born painter who led the neoromantic movement in Paris during the '20s but found his real forte three decades later as a designer of lush sets for New York's Metropolitan Opera (Rigoletto, The Barber of Seville, Don Giovanni) and the opera stages of Europe; in Rome...

Author: /time Magazine | Title: Milestones, Dec. 25, 1972 | 12/25/1972 | See Source »

...heist of some bejeweled busts of the great composers. The first track is called The People, Yes, and turns out to be Chopin's Revolutionary Etude done up in the sex and violence of an 007 film's sound track. Ludwig's Gig is a lush snippet from Beethoven's Pastoral Symphony; Superjoy, an electronically extravagant "lift" of Bach's Jesu, Joy of Man's Desiring; Wild Turkey, a toe-tapping treatment of Mozart's Turkish Rondo, and so on. Of its jazzing-the-classics type, basically an appalling genre, this is better...

Author: /time Magazine | Title: Music: Records: Pick of the Pack | 12/11/1972 | See Source »

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