Word: lushly
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Dates: during 1930-1939
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Last week Congressional Record readers guffawed at the latest maneuver of the Prescott, Ariz. polysyllabist-an insertion of no less than 19½ pages (40,000-plus words) of Ashurstiana, the nearest thing there is to a complete collected edition of the famed, lush, Ashurstian magniloquence. Said debonair Henry happily...
Last week Indiana's soil, as distinct from its station platforms, was dotted with shocks of new-cut wheat. Young green corn was two to three feet high, and high-legged hogs stood up to their chocolate-colored rumps in lush, weedy meadows. Wild hollyhocks and roses splashed the fence lines with color, but nowhere bloomed a fairer flower for Hoosier politicians to gaze upon than their radiantly handsome master, Paul Vories McNutt, returning home to do some hoeing in his own back row. For Paul McNutt's Presidential hopes, carefully nursed through many a long winter, were...
...powerful Eugene Ben Germany, 46, was born in Nolan county, Texas, janitored his way through Southwestern University at Georgetown. He taught school, studied geology, got in on the lush 1920 Texas oil boom. He now owns oil wells in Texas, Mississippi, Louisiana, raises hogs and cattle on his two farms and acts as mayor of Highland Park, fabulously wealthy suburb of Dallas...
...forms a natural grandstand for the race in the valley below, the crowd watched the seven starters charge over the first jump, held its breath as they reached the third, known as the Union Memorial Fence.* After that dreaded obstacle was surmounted without mishap, a roar thundered through the lush valley. Blockade was in the lead, Coq Bruyere far behind. Fencing perfectly and lightning fast on the flat, Blockade clung to his lead. Not until the 18th jump did Coq Bruyere challenge. They took the last fence neck & neck. Then, in as exciting a stretch finish as is seen...
...because the script was so constructed, not because of any weakness in his performance; and the minor characters--even the impossibly naive Gilbert (Robert Manuel) and the eccentric, hardly credible Robert (Jean Louis Barrault)--are skillfully portrayed. Only on one occasion, when the two principal women engage in that lush sentimentality so often employed to resolve a triangle plot, does the pace become slow; and the ending, tragic and impelling in the vein of the whole film, again revolves about Francoise and leaves a well unified impression in the mind of the delighted spectator...