Word: lust
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Dates: during 2000-2009
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...Wellesley Girl.” This oft-cited article stereotypes undergraduates at Wellesley as nothing short of promiscuous floozies, propositioning themselves to any man who steps foot on campus. The article’s description of the Dyke Ball is snarkily crafted to tap into male carnal lust, best exemplified by the Animal House scene in which John Belushi secretly observes a naked, sorority pillow fight. In the article’s words: “Women arrive nearly topless, or wearing only Saran Wrap or body paint (which inevitably sweats off by the end of the night...
...woman who succeeds in resisting this temptation is she whose sex appeal transcends her sexual aptitude. Such women boast the intelligence necessary to make healthy life decisions, the charm to win the attention of men without promise of physical compensation, the maturity to acknowledge the difference between love and lust, and the confidence to demand the former in situations where they are pressured to compromise themselves for the latter. The mysterious allure of virginity is not rooted in an image of innocence and purity, but rather in the notion of strength: the ability to withstand temptation even in the face...
...naïve—there is an obvious gaming element to love, lust, and relationships—but Cosmo takes it too far. In Cosmo girl world, a woman’s existence revolves around fear that her man is going to leave her and anxiety over how to keep him. Such a state could not possibly make a woman happy...
...mousy Stasi captain, plants bugs in the home of chic playwright Georg Dreyman (Sebastian Koch) and his actress girlfriend Christa-Maria Sieland (Martina Gedeck). Wiesler and his coarser superiors have motives as complex as they are nasty: to please a party boss, to tease out scenarios of voyeuristic lust and, well, because they can. Wiesler has another reason to spy and pry: he's good at it. So when Dreyman decides to write a sub-rosa expos for a West German magazine, the spy is all ears...
...displayed the word begin, nothing could have prepared the audience for the dance explosion that ensued as the worlds of ballet and techno music collided. Stewart's dancers deconstructed the story of Prince Siegfried and his dying swan Odette in T shirts wittily printed with words such as doom, lust, sieg and fried. But more amazing was the way they moved, break-dancing from en pointe to contortionism in a choreography that really flew...