Word: lust
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Dates: during 2000-2009
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...Meyer, Phase Three: "Vixen" and his other color comedies "Good Morning...and Goodbye," "Common Law Cabin," "Finder Keepers, Lovers Weepers," "Cherry, Harry & Raquel!" These films took the narrative excess and exuberance of the "Lorna"-period movies and lead-footedly revved up the pace, until they were little frenzies of lust and frustration. The playing of the actresses was even more aggressive, of the actors even more perplexed. The humor was foregrounded; now the world could say, for sure, "Oh - he's kidding," allowing uncomplicated enjoyment of the bustling and the busts. "Vixen," the snazziest of this crowd, was Meyer...
...globetrotting for new locations to fill the CinemaScope screen (thus proving its superiority, in size as well as quality, to TV) and for fetching females of all nationalities. Italians filled the bill. Exotic yet earthy, they couldn't be reduced to the American stereotypes: teen queens or cartoons of lust. The Italians were grown-ups, women with a capital Wow. Some of them were so buxom that an irreverent friend from my youth called their home country "Titaly...
...scenic beauty of the West is a wonder to behold and, once seen, never forgotten. Why do we have to destroy what we have to feed our lust for the "better life"? MAUREEN BACALLO Lafayette Hills...
...major break with tradition is an unconventional portrayal of Lady Macbeth, one of Shakespeare’s most powerful female figures. As Lady Macbeth urges her husband on his bloody path to the Scottish throne, she exhibits an ambitious, murderous zeal similar to that of her husband. Her ferocious lust for power makes her equally culpable as Macbeth for her husband’s eventual demise. Outwardly and inwardly, she seems anything but the figure of the loving wife, but that is the direction that Cozzens and his Lady, played by Lisa A. Faiman ’02, have decided...
People don't work in movies. They play around, kick butt, fall in love or lust. How they cope with the pains and tiny triumphs of their jobs--in these things, films show virtually no interest, leaving that task to workplace sitcoms and cop and lawyer shows. The idea has always been that people won't pay to see at the 'plex what they just left in the office. To be forced to review our working lives on the big screen--that's not escape, that's overtime...