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...Sept. 11 were an act of war against liberal values and the nation blessed with the resources, courage and faith to champion those values globally. Our enemies have as their cause the spread of a political-religious empire based on a perverted interpretation of Islam that substitutes a lust for violence for a love of peace. They abhor liberty and justice. Their choice of civilian and governmental targets indicates that they understand one essential truth about America--the people rule here, not mullahs or kings or generals or the megalomaniacal son of an oil-rich desert kingdom. They believe that...

Author: /time Magazine | Title: The Road to Baghdad | 9/9/2002 | See Source »

...mind of a prepubescent boy can be a confused and chaotic place. Caught between childhood and adolescence, he's flooded by new impulses, teased by an itch he can't quite scratch. So wordless lust is confined in wordless thoughts that resound in his tormented head. The 12-year-old narrator of Ed Lin's edgy debut novel Waylaid is the only child of Chinese immigrants. He spends all his spare time working at his family's ramshackle hotel on the New Jersey shore. The summer guests are "Bennys"?crude young Italians from New York City who vomit...

Author: /time Magazine | Title: Boys Just Want to Have Fun | 9/9/2002 | See Source »

...landed. And of these, "Balls" is certainly the greater. The first song was standard 12-bar boogie: C, C, F, C, G-F, C. "Great Balls," written by ace '50s rock composer Otis Blackwell (of "Don't Be Cruel" and "Fever" fame) and Jack Hammer, is a declaration of lust so impatient it needs only eight bars, dropping the second and fourth C lines. It gets the job done in a majestically compressed 1min, 50sec...

Author: /time Magazine | Title: That Old Feeling: Golden Sun | 8/10/2002 | See Source »

...Meyer, Phase Three: "Vixen" and his other color comedies "Good Morning...and Goodbye," "Common Law Cabin," "Finder Keepers, Lovers Weepers," "Cherry, Harry & Raquel!" These films took the narrative excess and exuberance of the "Lorna"-period movies and lead-footedly revved up the pace, until they were little frenzies of lust and frustration. The playing of the actresses was even more aggressive, of the actors even more perplexed. The humor was foregrounded; now the world could say, for sure, "Oh - he's kidding," allowing uncomplicated enjoyment of the bustling and the busts. "Vixen," the snazziest of this crowd, was Meyer...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...Studio bosses had exploited the favors of starlets for decades, but they had a front office with a back bedroom. Russ was on location. With his crew of guy pals. And few nooks to nuzzle in. But his lust would not be dammed. During a break on the set of "Beneath the Valley of the Ultravixens," he had a quick, volcanic dose of Kitten. They returned to the set, with, as Russ relates, "Miss Natividad out of concern, choosing to quiz the filmmaker: ?Do you think anyone knew what we were doing?' 'Sure,' RM replying blithely: 'When you came back...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

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