Word: lusted
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Whatever good sense these palliatives make, they would certainly cramp the style of some ultrarich whose money lust is tempered by an engagingly eccentric sense of how to spend their fortunes. Arthur Jones, the gruff, gun- toting inventor of Nautilus sports equipment, is laird of a Florida estate that includes a runway large enough to land his own Boeing 707; it is used, among other things, to fly in wild animals for medical research. One of them, which Jones proudly shows Packard, is a reptilian rarity: the biggest saltwater crocodile in captivity. Nice...
...Decades are artificial measures, but that's what we use, and you have a flair for defining them. You called the '60s "the whole crazed, obscene, & uproarious, Mammon-faced, drug-soaked, Mau Mau, lust-oozing '60s." The '70s were "the Me decade," "the sexed-up, doped-up, hedonistic heaven of the boom boom '70s." As we close out the '80s, how do you define the decade...
DANGEROUS LIAISONS. What deadly games people play in this excellent gloss on Christopher Hampton's play. John Malkovich and Glenn Close are the decadent puppeteers of lust who realize, too late, that the job comes with fatal strings attached...
...Desire (1987), Almodovar displayed his brazen assurance of style and vaulted from comic realism to soap-operatic mannerism. Matador is a contemporary vampire story: an ex-bullfighter and a woman lawyer, believing that death is the ultimate climax, impale each victim on the cold steel of their lust. Law of Desire draws a bent triangle: a gay movie director, his transsexual sister (Maura) and her adopted child's rightful mother (played by a Spanish drag queen). Revelations of murder, incest, suicide and lotsa hot sex follow, but the tone remains knowing, tender. As Matador is about desire, Law is about...
...Desire and other Almodovar films take many cues from homoerotic cinema, from the fascination with lust and death that animated certain films of Jean Cocteau, Kenneth Anger, John Waters and R.W. Fassbinder. But Almodovar also looks back in glamour to '50s Hollywood, when Rock Hudson could comfort a dying Jane Wyman in one film, then woo perky Doris Day in another. Thus his pictures are both bleakly comic and defiantly romantic, hipper than tomorrow and nostalgic for a pre-AIDS era when love's most toxic complication was a broken heart. "To classify movies is to impoverish them," he says...