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...implacable drama, John Osborne draws up a balance sheet of a personal hell. His lawyer anti-hero Bill Maitland (Nicol Williamson) is "irredeemably mediocre," and incorrigibly self-destructive. He indulges in lacerating sado-masochistic diatribes, pops pills and suffers interminable hang overs. His joyless office liaisons sate only his lust, and he leaves his wife, mistress and daughter parched for love. In short, he is a mess, but he is the kind of mesmerizing mess that more men see in the shaving mirror in 1981 than did in 1965 when the play opened in New York. Now as then, Williamson...

Author: /time Magazine | Title: Theater: Dangling Man | 3/9/1981 | See Source »

...their way out of conscription. Soldiers in the Virginia regiments, suddenly no longer heroes for their land, become prisoners of the Confederate cause. Back home, the Southern women, who began the war as loyal and self-sufficient matriarchs, lose faith and strength. Keneally's heroine succumbs to lust and commits adultry...

Author: By Robert M. Mccord, | Title: Soldiers of the South | 3/9/1981 | See Source »

...overlooked two of the most titillating materials of my adolescence? I spent many an hour poring over the pictures of the naked women in Africa and the South Sea Islands in National Geographic, and many a Sunday morning at church service engrossed in the erotic poetry and stories of lust, adultery, homosexuality, murder and incest in the Old Testament...

Author: /time Magazine | Title: Letters: Feb. 9, 1981 | 2/9/1981 | See Source »

Dallas, which premiered in April 1978, established the pattern: a big, powerful family whose obsession with sex and money makes them miserable and the TV audience insatiable; guilt-edged lust that skulks through the generations, seeking spectacular revenge; feuds and affairs that seep over the interwoven plots like warm Brie over a Triscuit. These mechanisms had propelled daytime drama-the radio and TV soaps-for nearly half a century before the Dallas pioneers, Lorimar Productions, streamlined them for prime time. Dallas proved that mobile America would sit still each week for a continuing story of byzantine complexity. Since the current...

Author: /time Magazine | Title: Television: Season of the Nightsoaps | 2/9/1981 | See Source »

Caldwell stresses the lust for power and the power of lust. Her casting emphasizes the second even more than the first. Rarely have two actors so young and so full of animal magnetism played the two key roles Philip Anglim, best known for his work as John Merrick in The Elephant Man brings to his Macbeth the boundless energy of a fledgling Henry V. The shapely Maureen Anderman makes Lady Macbeth a hot-blooded sex symbol. One can visualize the pair being written up in the gossip columns as smart society's latest darlings and very much...

Author: /time Magazine | Title: Theater: Power and Lust | 2/2/1981 | See Source »

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