Word: lusted
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...blow out the earnest country cliches with fond parodies ("You Don't Have to Call Me Darlin', Darlin', But You Never Even Call Me By My Name"), rocking mockers ("Up Against The Wall, Redneck Mother"), chomping satires ("My Whole World Lies Waiting Behind Door Number Three"), love-into-lust songs ("Why Don't We Get Drunk and Screw"), and bitter-enders much bleaker than the usual tears-in-beers ("Sam Stone: There's A Hole in Daddy's Arm Where All the Money Goes"). The sound was a lot cleaner than the Nashville over-productions in the early...
Namo and I had some vague notion of our direction, of looking for the Great American Spring Vacation in Florida, in Fort Lauderdale, mixing with the young and healthy and promising Undergraduates of Our Time. Hearty drinking and hedonism--it was a simple goal. A little honest lust had a definite appeal. There had been too many nights spent squinting at obscure volumes in Lamont, too many nights hanging out at House grilles and Harvard Square bars, too many pointless dinner conversations, too many wild spring days already spent in gloomy rooms and lecture halls. Our 20-year-old libidos...
...international attention, it features a host of mind-gripping sequences destined to set apart "Padre, Padrone" as one of the most important films to cross the Atlantic in the late 1970s. To name only two: the unforgettable series of shots capturing the varied expressions of a village's collective lust, from a young boy sodomizing a mule to the rusty sex rites of an aged couple; or the scenes showing how far the "spare the rod" philosophy of rearing is literally taken by the father of the future writer Gavio Ledda (Saverio Marconi). Mario Masini's cinematography especially shines...
...international attention, it features a host of mind-gripping sequences destined to set apart "Padre, Padrone" as one of the most important films to cross the Atlantic in the late 1970s. To name only two: the unforgettable series of shots capturing the varied expressions of a village's collective lust, from a young boy sodomizing a mule to the rusty sex rites of an aged couple; or the scenes showing how far the "spare the rod" philosophy of rearing is literally taken by the father of the future writer Gavio Ledda (Saverio Marconi). Mario Masini's cinematography especially shines...
...have seen are no longer extant, and over 40 per cent of new marriages are doomed to failure. Yet people still fall in love and decide to wed. The rest of your life is a hard thing to face alone, so security becomes a reason to marry. Love and lust, of course, play their parts, but, except for the luckiest couples, their roles decline about the same time as the wedding gifts begin to rust, tarnish, yellow or malfunction. And you don't have to be married to feel the strain of that imposing bond; our lives are filled with...