Word: lustful
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Dates: during 1960-1969
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Treigle's great acting vitality, lithe movements and granitic voice make him supremely good at dramatizing evil. In Carlisle Floyd's Susannah he sang Reverend Blitch, a man of God who fell through lust into destruction; his Mephistopheles in Gounod's Faust is demon masquerading as man; to round off his demonic repertory, New York City Opera General Director Julius Rudel is toying with the idea of producing Berlioz's The Damnation of Faust (in which Treigle would play yet another Mephistopheles) and Busoni's Doktor Faust (in which Treigle would switch roles and appear...
...Prohibition fused the amateurism and catch-as-catch-can national tendencies of the early days of the republic with a more modern, highly organized lust for violence and the quick buck. It fused the need to massacre twelve hundred thousand American Indians and ten million American buffalo, the lynching bees, the draft riots, bread riots, gold riots and race riots, the constant wars, the largest rats in the biogest slums, boxing and football, the loudest music, the most strident and exploitative press with the entire wonderful promise of tomorrow and tomorrow, always dragging the great nation downward...
...peacock with a peckish tongue. Harry (Richard Burton) is a broody, sentimental mother hen with a semi-articulate cluck. Both men have auditioned for life and failed. Running a barbershop in a moldering district of London, they are each other's consolation prize. No hint of lust knits them together, only a saturating fear of loneliness. A special terror is to be aged and alone, and this is made chillingly vivid by Harry's bedridden mother (Cathleen Nesbitt), who lives with the couple. She is an arthritically gnarled stick of a woman who wets her bed, is only...
...cliché of U.S. fiction that the lust for power, fame and money destroys the integrity of anyone scrambling to the top, especially in the entertainment world. The heroine of Morris Renek's strong second novel seems, at first glance, to be formfitted to the cliché. Sexy, bright and beautiful, she is determined to make it big as a popular singer any way she can. She succeeds. What is more extraordinary, so does Renek, somehow using a sentimental and unpromising plot to explore the nature of power, the exploitation of sex and some of the redeeming qualities...
...fringe benefit but a gut issue. Death, says Harrington, is an unacceptable imposition on the human race. Having already invoked science to support his faith, Harrington lays hands on human irrationality and violence for the same purpose. Fear of extinction, he suggests, combined with the frustrated lust for eternal life, underlies the disturbed behavior that threatens humanity with madness and self-destruction. Had men only "world enough and time," he argues, they could explore the endless varieties of love, work and play. The resulting fulfilled, relaxed race would be safe from itself once...