Word: lustfully
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Dates: during 1940-1949
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...moral order in a process of reason about the essences of God, man and things. He blamed not science itself for the 20th Century's moral crisis, but two factors bearing on the use to which men put science: 1) peoples' "mythmaking suggestibility," their "natural lust" for facile explanations; and 2) "greed and will to power, and the temptation to which the kind of omnipotence meted out by science . . . gives rise in the human race...
Bedazzled by his own lust for power and for a woman, Mitchell eventually loses the ability to say "Get thee behind me, Satan." Shedding his wife, his honest friends and his self-respect as he wins the governorship, Lawyer Mitchell is on the point of delivering himself for shipment to hell, but his better nature triumphs in the end. The happy ending is scarcely a surprise, but Director John Farrow leads up to it with a series of small shocks, and neat twists. He appears to have the exhilarating conviction that man-meets-devil can be as interesting...
...Jean Pierre Aumont by Philip Barry; produced by the Theatre Guild) tells of a cocky, penniless young Parisian (Jean Pierre Aumont) with a romantic need, and a remunerative knack, for telling lies. He lands a job with a high-toned black marketeer and in no time arouses love or lust in all the boss's womenfolk-wife (Arlene Francis), daughter (Lilli Palmer), secretary (Doe Avedon). He himself goes for the daughter and takes all evening...
...performance in general, however, is less an invitation to lust than to laughter. Miss West's ideas about sex sometimes verge on the impracticable, while her manifestations of it are often a little too gaudy to be glamorous. But the lordly slink and the languid grunt are, for all that, the merely too emphatic mannerisms of an assured and perfected theatrical manner. When, for instance, a new suitor (Steve Cochran) sighs: "My love for you will last forever," it is with genuine mastery of timing and pitch that Miss West inquires: "How about your health?" In any theater world...
...ward) is yet another shot at history for Maxwell Anderson, and very likely another hit. From the turbulent story of Henry VIII's Anne Boleyn, Playwright Anderson has made a plump and gaudy stage piece, a thing of fierce desires, clashing wills, momentous acts. For love or lust of Anne, Henry divorced Catherine of Aragon, broke with Rome, opened an age of bloodshed; while the insolent and ambitious Anne would be Henry's queen or nothing at the start, still his queen or nothing at the end-preferring, in Mr. Anderson's account, the block to banishment...