Word: lustings
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...Connor says No Man's Woman, the first single off her new album, is actually about celibacy. A few other songs, however, deal boldly with love and lust. On Daddy I'm Fine, O'Connor cries out about feeling "sexy underneath the lights" and yearning to have sex with "every man in sight." Her newfound calling clearly hasn't dampened her rock-'n'-roll spirit. O'Connor may be a priest...
Maybe kids will like the movie; their lust for dinolore appears to be insatiable. But the rest of us will yearn for Robin Williams' giddy goofing in Aladdin. And the narrative alertness of Toy Story 2. As James Newton Howard's nonstop score pushes us to an emotional involvement, we hope in vain that Barney will pop out from behind a rock. Alas, someone else holds the copyright...
...sometimes too glibly "accessible," are more often bracingly individual. This season, for example, has seen company premieres of Fluctuating Hemlines, inspired by Camille Paglia's iconoclastic Sexual Personae; Carmina Burana, an unabashedly sexy dance pageant accompanied by Carl Orff's thunderous choral settings of medieval poems about love and lust; and Juanita y Alicia, a "family album" set to Buena Vista Social Club-type music performed live by Sin Miedo, a Washington-based Latino group...
...uninitiated, Hamlet, perhaps William Shakespeare's best-known tragedy, contains enough murder, lust, spying and intrigue to become the most frequently adapted play in all of cinema. Here, Old Hamlet (Sam Shepard) has died and his brother Claudius (Kyle MacLachlan) has assumed the reins of power in more ways than one. Along with taking over his company, Claudius has married Old Hamlet's wife, Gertrude (Diane Venora), which understandably angers her son, Hamlet (Ethan Hawke). Torn between concerns for his mother and spurred by a visit from his father's ghost, our protagonist seeks to uncover the truth...
...story of Cleopatra seems tailor-made for the ballet, with its epic themes of lust, love, empire, political conspiracy and tragedy. Created in conjunction with the Houston Ballet and the Pittsburgh Ballet Theatre, Cleopatra does not shy away from any of these large themes. Choreographer Ben Stevenson, of the Houston Ballet, brings to the production much of the dramatic flair that characterized his staging of Dracula in Boston last spring, but Cleopatra ultimately rests on the skill of its dancers, and as such emerges as the superior production...