Search Details

Word: lusts (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

What we don't need now is a hysterical outcry supporting the blood lust of our President's opponents. What we do need is a lot of balance and a proper perspective on the man himself and the job he is doing, not a judgment of guilty based on inference and conjecture...

Author: /time Magazine | Title: Letters, Nov. 26, 1973 | 11/26/1973 | See Source »

...humiliating gibes from Jews and others. Arabs had been mercilessly held up to contempt for their wretched showing in the Six-Day War, when their troops broke and ran from the advancing Israelis. The public scorn, humiliation-and self-contempt-rankled, leaving behind smoldering hatred for Israel and a lust for revenge. Among sensitive Arabs the public shame of their defeats was as bitter as the loss of territory. Pride looms large in the Arab psyche; its loss is an intolerable affront...

Author: /time Magazine | Title: THE ARABS: The World Will No Longer Laugh | 10/22/1973 | See Source »

...haughty Kingsfield. The performance is excellent--laced with enough memorable lines (he's the only character who has any) and convincing glares to win an Oscar. Houseman, who is 71, has appeared in only one other film. He is better known as a producer (The Bad and the Beautiful, Lust for Life) and the co-founder (with Orson Welles) of The Mercury Theatre...

Author: By Kevin A. Stafford, | Title: Bad Entertainment... | 10/18/1973 | See Source »

...heaven, at least of Judgment Day. He was also civilized, witty and endlessly inventive. He could write of himself without being a bore, recording "Thoughts of his own death/ like the distant roll/ of thunder at a picnic," wryly admitting that "Gluttony and Sloth have often protected him from Lust and Anger," and boasting gently that he was not vain "except about his knowledge of metre and his friends...

Author: /time Magazine | Title: Books: Auden: The Sage of Anxiety | 10/8/1973 | See Source »

...screenwriter who is as well known for his self-publicizing as for his screenplays (Jeremiah Johnson, The Life and Times of Judge Roy Bean). Sounding in interviews like a combination feudal lord, Texas land baron and bawdyhouse piano player, Milius proclaims the glories of guns, the beauties of blood lust and the masculine honor of big money. Affectation like this makes good copy and, judging from Dillinger, bad movies. Instead of the brash and abrasive effort that might have been expected, Dillinger is slack and derivative. Its main inspiration is Arthur Penn's Bonnie and Clyde, both...

Author: /time Magazine | Title: Cinema: Quick Cuts | 9/10/1973 | See Source »

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