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Word: luv (lookup in dictionary) (lookup stats)
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...LUV, by Murray Schisgal, sends three very modern and morose souls through a slapstick, tongue-wagging, satirical inferno of cocktail-party griefs. Under Mike Nichols' brilliantly inventive direction, Actors Eli Wallach, Anne Jackson and Alan Arkin produce constant and crippling hilarity...

Author: /time Magazine | Title: Television: Nov. 27, 1964 | 11/27/1964 | See Source »

...actual play-Broadway's new smash comedy Luv-begins, Harry is up on the railing of the bridge, teetering and ready to jump. When his old friend walks up to him and says, "Is it? -No! Harry Berlin! . . . How've you been doing, Harry?" the emphatic incongruity of the moment touches off a wave of mad laughter. The tone of the play has been perfectly...

Author: /time Magazine | Title: Broadway: The Nichols Touch | 11/27/1964 | See Source »

...Luv, by Murray Schisgal. Three morose souls are raining laughs all over Broadway's Booth Theater. They suffer all the fashionable ills and itches that modern mind and flesh have fallen heir to. They go through an inferno of cocktail-party griefs, a slapstick, tongue-wagging, satirical jaunt of crippling hilarity...

Author: /time Magazine | Title: Theater: Three for the Seesaw | 11/20/1964 | See Source »

...sense that mocks self-pity and self-absorption. Unlike his characters, he refuses to keep a straight face before some of the pious obsessions of the contemporary world and stage-alienation, loss of identity, inability to communicate, homosexuality, existentialism, Freudianism, self-expression and the meaninglessness of it all. In Luv, he devastates these themes in a holocaust of laughter...

Author: /time Magazine | Title: Theater: Three for the Seesaw | 11/20/1964 | See Source »

Novelist Saul Bellow's first play, The Last Analysis, is about a top comedian (Sam Levene) who is slipping past prime time. Ruth Gordon has written A Very Rich Woman for herself to star in and Husband Garson Kanin to direct. Luv is about what it sounds, and stars Anne Jackson, Eli Wallach and Alan Arkin. A typist and a taxi driver, played by Betty Garrett and Pat Hingle, have a hectic courtship in Don Appell's A Girl Could Get Lucky. The Owl and the Pussycat marks a milestone of sorts by casting Negro Actress Diana Sands...

Author: /time Magazine | Title: Broadway: The Line-Up | 8/28/1964 | See Source »

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