Word: luxe
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Dates: during 1940-1949
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...Most interesting is Ory's Creole Trombone, a good example of the old New Orleans parade style . . . Another COLUMBIA reissue that should be on your list is Benny Goodman's 1934 Moonglow, featuring Jack and Charlie Teagarden, Teddy Wilson, and Benny himself . . . If you want to know where Meade Lux Lewis got his style, listen to his old-time teacher Jimmy Yancey, on Yancey's Bugle Call and 35th and Dearborn (VICTOR). Jimmy plays in a nice easy-going style, with bass figures somewhat more elaborate than those of Meade Lux . . . Since I wrote about ASCAP-BMI I learned from...
...giving out on the old one-two-three-kick... Lionel Hampton's latest offering features an unusual combination: rhythm section with two guitars, Spanish (Douglas Daniels) and electric (Teddy Bunn). Coupling is Pigfoot Sonata and Just for Laffs and both guitars take all the honors (VICTOR)... Albert Ammons, Meade Lux Lewis, Mary Lou Williams, Joe Sullivan and Pete Johnson, are among the eight-beat pianists featured in DECCA's Boogie-Woogie Album. Best of the records is Ammons' Boogie-Woogie Stomp, with the fine trumpet of Guy Kelly, as well as Albert's own rolling bass... Benny Goodman...
...music at uptown Café Society was nothing new to its downtown habitues. Two of the boogie-woogie players, Albert Ammons and Meade Lux Lewis, pounded two pianos. Teddy Wilson, rippling, inventive jazz pianist, played in his own orchestra and in a trio with Clarinetist Jimmy Hamilton and Drummer Yank Porter, who moons, mugs, smiles ecstatically while he beats it out. The Golden Gate Quartet swung spirituals. Sultry, curvesome, Trinidad-born Hazel Scott, who was trained by a teacher from Manhattan's crack Juilliard School, played Bach and Liszt on the piano, first straight, then hot. The authentic afflatus...
...Most popular program was that of Edgar Bergen, with a rating of 40 per 100 set-owners polled. Runner-up with 39 was the unctuous Jack Benny, with Lux Radio Theatre, Fibber McGee & Molly and the Kraft Music Hall trailing along after...
...price for stars on the Lux program runs to $5,000 a performance. One hundred and ninety-seven famous performers have appeared in the show to date. Valuable by-product of their visits is a sound-effects drum which all of them have signed. Estimated worth of the drum today is $9,000, and the sound-effects man hates to hit it for fear of ruining autographs. Marlene Dietrich has been almost obliterated from the effects of hurricanes and earthquakes...