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...Lux Feininger's exhibit at the Busch is probably the most pleasant thing in Cambridge. Working primarily within the confines of the geometric schools, Feininger nevertheless manages to display a quite extensive diversity of style. His work ranges from tight geometric abstract designs to oils in which objects, Leger-like, resemble machine parts, and loose cubist watercolors reminiscent of Mr. Feininger's father, Lyonel...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON ENTERTAINMENT GUIDE | 3/9/1962 | See Source »

Your excellent editorials on the subject of T. Lux Feininger's leaving and the attendant disappearance of Fine Arts 16 and 18 stimulate me to note one or two points which I have been noticing in my four years at Harvard. The chief one of these is that most of the creative arts are surprisingly neglected and played down. Art is now officially nonexistent (though I presume the painters and photographers will continue to work; luckily, there are several good ones here). Creative writing--in sharp contrast to the writing of articles and scholarly works--is marked by a lack...

Author: NO WRITER ATTRIBUTED | Title: A CALL FOR MORE CREATIVITY | 2/15/1962 | See Source »

...this terms, Fine Arts 16 (Introduction to Drawing and Painting) and Fine Arts 18 (Advanced Painting), the only two studio arts courses for credit offered by the University, will be dropped from the Catalog. At the same time, Theodore Lux Feininger, who has taught the two courses for the past nine years, will leave the University...

Author: By Cennino Cennini, | Title: Scholars and Painters | 2/10/1962 | See Source »

...elimination of Mr. Lux Feininger's studio courses from the Fine Arts Department (see article below) represents an unfortunate blow to the cause of the creative arts at Harvard. Hopefully the loss will be only temporary and courses in painting and drawing will soon re-emerge under the auspices of the Visual Arts Center; and hopefully they will still retain Mr. Feininger's preocupation with the creative rather than the scholarly approach...

Author: NO WRITER ATTRIBUTED | Title: Scholars and the Arts | 2/10/1962 | See Source »

...piece of Unilever, even some of Wall Street's professionals had only an imperfect notion of what they were buying into. And to the ordinary investor Unilever presents an even hazier image. Few U.S. housewives realize that they are fattening Unilever's coffers when they bring home Lux, Lifebuoy. Handy Andy, Rinso or Surf soaps, Imperial or Good Luck margarines, Spry shortening, Pepsodent toothpaste, Lipton's tea and soups, or Wishbone salad dressing...

Author: /time Magazine | Title: Business Abroad: Dear Octopus | 12/22/1961 | See Source »

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