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Much of the show's popularity was undoubtedly traceable to its carnival aspects. Children, especially, delighted in watching Len Lye's kinetic Flip and 2 Twisters, stood entranced as three giant loops of steel jumped and jiggled for 15 minutes at a time. Adults, too, joined in the good-humored spoofs of Claes Oldenburg's gigantic, canvas-covered Ice Cream Cone and Falling Shoestring Potatoes, and his plaster Pecan Pie. They poked their fingers into the spongelike walls of Harold Paris' Pantomina llluma, a "feelies" room containing $10,000 worth of molded, twisted and flat rubber...

Author: /time Magazine | Title: Sculpture: White Wings in the Sunlight | 5/12/1967 | See Source »

...faker strips such pieces with lye or paint remover; he refinishes them with stain, oil or varnish, sands their corners, and then "distresses" them with chains and mallets-that is, he gives them a good pounding to lend the battered allure of great age. The suspicious customer should examine the drawers of wooden pieces. Fakes are often hinged together by eight to ten machine-made dovetails; the genuine article has three to five irregularly shaped, hand-carved dovetails...

Author: /time Magazine | Title: The Marketplace: Not to Buy An Early American Dry Sink | 1/27/1967 | See Source »

...school improvements and get police action to chase out the "white hunters," white men who crash the ghetto in search of black prostitutes. There is a trend among Negro coeds and career girls to wear their hair "natural" instead of attempting to unkink it by "conking"-rinsing it with lye and binding it with handkerchiefs. Yet for every Negro who flaunts his identity, a hundred try to camouflage it. Advertisements in the Negro magazines still hymn Nadinola skin bleach: "Lightens and brightens skin...

Author: /time Magazine | Title: Essay: WHAT THE NEGRO HAS-AND HAS NOT-GAINED | 10/28/1966 | See Source »

...singing, dancing and acting are a triple treat. But she lacks that ultimate intangible: star authority-the difference between leasing a stage and owning it. As Mame's actressy pal, Beatrice Arthur is a crafty comedienne, a woman who delivers a line as if someone had put lye in her martinis. And Frankie Michaels as young Patrick has the charm of an acting boy rather than a boy actor. It is good to have the season end not with a bomb but a winner...

Author: /time Magazine | Title: Theater: Unflappable Flapper | 6/3/1966 | See Source »

...lonesco's one-acter, Bedlam Galore, for Two or More, "She" and "He" quarreled, and quarreled some more, while a civil war went on outside and the roof and walls caved in to illustrate lonesco's philosophy that life is absurd. Electrically powered kinetic sculpture by Len Lye and Nicolas Schoeffer moved, twisted, roared and thumped at the Albright-Knox Art Gallery. All this and more galore was part of the two-week Buffalo Festival of the Arts Today, perhaps the most all-encompassing, hip, with-it, avant-garde presentation in the U.S. to date...

Author: /time Magazine | Title: Avant-Garde: Did You Ever, Ever, Ever | 3/19/1965 | See Source »

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