Word: lyle
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Dates: during 1990-1999
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...most improbable celebrity match of the '90s: Hollywood's pretty woman Julia Roberts and lizard-visaged country singer Lyle Lovett. Yet when they wed after a month-long, blinders-on courtship in 1993, Lovett's admirers were the ones to ask, What does he see in her? Wasn't he the more courtly, substantial, vulnerable of the two? After their bust-up 21 months later, the uncouple remained tantalizingly mum. But Lovett, a caustic songwriter, could be expected to have the last words...
...with any Lovett collection, this one has its share of the funky-flaky. The opener, (You Can Have My Girl but) Don't Touch My Hat, finds the Texan in a possessive frenzy about his "John B. Stetson." Promises, meanwhile, is naked Lyle, skin flayed, soul raw--with grief that could be whispered from a jail cell or an unquiet grave. The melody is plain, the guitar accompaniment plaintive: the song enshrouds you in its desperate beauty...
...Private Conversation, and surrender to the pulse of a Saturday-night bar band. Maybe you don't dare face "the moral of this story," which is "to look at what you've been through/ And see what you've become." Not to sweat; just follow the Gospel According to Lyle: "Boy, pick up that fiddle,/ Ooh and play that steel guitar,/ Ooh and find your- self a lady,/ Ooh and dance right where you are." This buoyant song allows you to do nothing else. It proves there's no misery, public or private, so deep that good music...
MUSIC . . . THE ROAD TO ENSENADA: Both Julia Roberts and Lyle Lovett remain tantalizingly mum about their breakup. But Lovett, a caustic songwriter, could be expected to have the last words. Here they are, in 12 choice cuts of 'The Road to Ensenada' (MCA). Listen for the testimony and you may be persuaded that the whole marriage was fieldwork, research under fire for an album of wily recrimination. As with any Lovett collection, this one has its share of the funky-flaky. The opener, '(You Can Have My Girl but) Don1t Touch My Hat,' finds the Texan in a possessive frenzy...
MUSIC . . . THE ROAD TO ENSENADA: Both Julia Roberts and Lyle Lovett remain tantalizingly mum about their breakup. But Lovett, a caustic songwriter, could be expected to have the last words. Here they are, in 12 choice cuts of 'The Road to Ensenada' (MCA). Listen for the testimony and you may be persuaded that the whole marriage was fieldwork, research under fire for an album of wily recrimination. As with any Lovett collection, this one has its share of the funky-flaky. The opener, '(You Can Have My Girl but) Don1t Touch My Hat,' finds the Texan in a possessive frenzy...