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...Lyman Common Room in Radcliffe's Agassiz House was once full of feminist literature and displays, like the infamous "boob board...

Author: By Joyce K. Mcintyre, CRIMSON STAFF WRITER | Title: The Odd Couple | 6/8/2000 | See Source »

Perhaps the most radical change brought about by the merger is the change in funding and space availability for undergraduate women's groups. Under the banner of Radcliffe College, the Lyman Common Room served as a place to meet, display material and provide a space that was where many of the groups concerned with issues of gender could interact. The Radcliffe Union of Students (RUS), the putative governing body of Radcliffe College, provided a source of funding for these programs, using term-bill fees from women to fund a wide range of projects and programs. With the end of Radcliffe...

Author: By The CRIMSON Staff, | Title: Gender in the New Harvard Era | 6/5/2000 | See Source »

...also encouraged by the flurry of new activity that surrounded the demise of Radcliffe. Last month, a coalition of women's groups called for joint office space in the Yard, to fill a space once occupied by the Lyman Common Room; we feel this would be an important step toward ensuring these groups a smooth transition...

Author: By The CRIMSON Staff, | Title: Gender in the New Harvard Era | 6/5/2000 | See Source »

Except at the DeLay residence, though, the show has become a D.C. mainstay. Last week when Bradley Whitford, who plays deputy chief of staff Josh Lyman, was having lunch on Capitol Hill with an old friend, half a dozen lobbyists stopped by to drop off business cards and offer ideas for future plot lines that favor their clients. The staff of Michigan Representative John Conyers helpfully sent along 200 pages of material on the issue of paying reparations to black Americans as compensation for slavery--a topic that figured in an earlier episode...

Author: /time Magazine | Title: You Could Call It the Wonk Wing | 5/15/2000 | See Source »

...After School Special messages. Thankfully, though, director Eric Engel (Director of Memorial Hall/Sanders Theatre) still manages to blend Lucas' words into an (almost) seamless narrative journey to the dark side of greed, jealousy and betrayal. A combination of smooth technical savvy, crisp staging and two wonderfully nuanced performances (Lyman and Lopez) creates a freeway of sinful compromise where innocence is only a speed bump. Crass, powerful, aggressive Jeffrey is a perfect match for Elaine's subtle intelligence, creativity and inner isolation. Whenever the struggling couple appear on stage-separated or together-the audience can't help but fantasize about...

Author: By Matthew Hudson, CONTRIBUTING WRITER | Title: Dying Gaul: Drama You Can Download | 4/21/2000 | See Source »

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