Word: lynch
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...Lynch's artistic vision more than a mere fixation on the eclectic and the bizarre? To be sure, Lynch's work holds a tremendous, albeit sometimes ironic, sense of poignancy. Take Twin Peaks, for instance: While the producers at ABC, as well as a nation of television viewers, were obsessed with "Who Killed Laura Palmer?", Lynch affirmed that the focus of the project was never the identification of the killer, but rather the depiction of one town's reaction to the loss of innocence. Twin Peaks was unsuccessful because it was marketed like a "Dallas" episode. Forced to finger...
...Lynch, the end does not necessarily justify the means, and as anyone who has ever seen his movies could attest, to seek gratification contingent only on a David Lynch ending will force you to question the price of your admission ticket. Even without our complete comprehension, Lynch always manages to show something unexpected, something fresh. But is this any less justified of an approach to filmmaking? Sure, we know what's going to happen, 15 minutes into the movie and this fact, coupled with our optimistic belief that happy endings still exist, leaves us confident that Alvin Straight will...
...perhaps this is one reason for Lynch's initial apprehension. Every day and all over the world, the lost are found; those who were separate become joined; the estranged are reunited. This is a universal good--the stuff from which our favorite movies are made. Of course, it's also a potential clich in the making. Some amount of significance, separate from the allure of universality, must exist to merit the making of a new film. Still, Lynch sticks to his tried and true methods in The Straight Story. Again, Lynch collaborates with composer Angelo Baladamenti to create a score...
...most impressive aspect of Lynch's adaptation is the absence of any canonizing or aggrandizing tendencies. Although both David Lynch and Freddie Francis, the director of photographer, pay homage to Straight's perseverance, The Straight Story is by no means a documentary. The wheels on Straight's lawnmower blend with the turning of tractor wheels. Bicyclists, cars, trucks whiz right by. Never for a moment are you made to forget that Straight is riding a 1966 John Deere. And for those of us willing to trot along at five miles-per-hour, the story is unexpectedly rewarding...
...time, not to mention all time.Taken all in all, Body Shots is a mismatched patchwork in that it can't figure out what it wants to be. It is at times, a shock-fest where there are enough bodily functions abound to delight even the most ardent of David Lynch fans--characters spitting up blood, urinating on closed toilets, puking and a rape all occur in the first fifteen minutes. At others, it attempts to be the defining film concerning love at the end of the millennium (cringe). In the inimitable style of a Calvin Klein commercial, actors speak directly...