Word: lynches
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Dates: during 1990-1999
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...Lynch's true dream upstaged the real-life dramas from Eastern Europe that the festival had shown as a tribute to glasnost. The jury, headed by director Bernardo Bertolucci, did bestow subsidiary awards to films whose politics complemented their aesthetics. Taxi Blues, a Soviet-French coproduction about the convulsive friendship of a Moscow cabdriver and a Jewish jazz saxophonist, won the director's prize for Pavel Lounguine. Krystyna Janda was named best actress for her role as a woman undergoing state torture in Ryszard Bugajski's The Interrogation, a harrowing babes-in-bondage film that the Poles had suppressed since...
...director, rushed from the lab to Cannes. The place was tense with anticipation. Early in the festival, Lyncholepts had lined up to see new episodes of Twin Peaks screened at the American pavilion. A few U.S. critics proudly brandished their foreign videocassettes of the show's pilot, for which Lynch shot a tell-whodunit climax not aired in the States. Europeans pummeled Americans for details of the series, which will begin airing overseas in the fall. Wild at Heart may have had less at stake than the East European films, but by the time it played, toward...
...Lynch delivered. Wild at Heart is splendidly grotesque and mammothly entertaining -- the director's first for-sure comedy, Blue Velvet for laughs. The plot, from Barry Gifford's noirish novel, is your standard slice of poisoned American pie: a pair of loser-friendly lovers, Sailor Ripley (Nicolas Cage) and Lula Pace Fortune (Laura Dern), hit the road to escape Lula's mom and a phalanx of psychos who vividly illustrate Lula's contention that the "whole world's wild at heart and weird on top." But the picture is charged with so much deranged energy, so many bravura images, that...
...Rossellini) and Mr. Reindeer (Morgan Shepherd). It's about obsessive imagery and compulsive behavior: half the people walk on crutches, and just about everybody chain-smokes, sometimes two cigarettes at a time. And, aptly for a film shown in the living movie museum of Cannes, Wild at Heart is Lynch's fond homage to The Wizard of Oz. Lula clicks her red slippers to get out of a jam. Her mom (played with lubricious abandon by Dern's mother Diane Ladd) is the Wicked Witch, all long nails, daft cackles and unquenchable vengeance...
...Wild at Heart press book, Lynch's biography reads, in its entirety: "Eagle Scout Missoula Montana." And at his Cannes press conference, this ordinary looking fellow with the buttoned-up collar and the untied shoelace answered questions with the blissed-out graciousness of an Eagle Scout from Mars. Told by one reporter that his films are rife with graphic visions of violence, he stared benignly and replied, "I have even worse." Asked about the similarities in cast and tone between Twin Peaks and Wild at Heart, he said, "The main thing they have in common is wood." Oh. Any more...