Word: lynde
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...following new members of the Class of 1934 will be initiated: Arthur L. Abrams, Robert C. Creel. Oscar H. Davis, Clement L. Harriss, William W. Kirkpatrick, Albert J. Lynd, David Levin, Paul L. MacKendrick, John Maier, Joseph Neyer, Philander S. Ratzkoff, Johnathan B. Richards, John T. Sapienza, Richard H. Schlatter, John W. Walsh, Dudley A. Weiss...
...members-elect will be initiated at a dinner at Adams House on December 4. They are: Arthur Lawrence Abrams of Roxbury; Robert Calhoun Creel of Cambridge; Oscar Hirsh Davis of Mount Vernon, New York; Clement Lowell Harriss of Omaha, Nebraska; William Wallace Kirkpatrick of Chappaqua, New York; Albert Johnson Lynd of Oakland, California; David Levin of East Boston; Paul Lachlan MacKendrick of Dorchester; John Maier of Royersford, Pennsylvania; Joseph Neyer of New Rochelle, New York; Philander Silas Ratzkoff of Roxbury; Johnathan Barlow Richards of Red Oak, Iowa; John Thomas Sapienza of Irvington, New Jersey; Richard Bulger Schlatter of Fostoria, Ohio...
Albert Johnson Lynd, ocC also received an award...
...chose the Upper Koyukuk because it was farther north, inside the Arctic Circle. He liked it so much that a year later he went back there to spend over a year. Arctic Village, May choice of the Literary Guild, is the fascinatingly factual record of his visit. Like Robert Lynd's famed Middletown (statistical study of Muncie. Ind.). Arctic Village's data cover every phase of human activity in the Koyukuk. neatly arranged under anthropological heads, backed up by tables of statistics, pointed by photographs that would do credit to Dr. Erich Salomon. Civilization in miniature, the Koyukuk...
Following Belgian Artist Franz Masereel, Lynd Ward's Gods' Man (TIME, Nov. 25, 1929) was the first U. S. novel-in-woodcuts. A few titles to sections helped keep readers' fingers on the story's thread. Wild Pilgrimage, his third woodcut "novel," must be "read" without benefit of caption or title, but it tells so straightforward a story that no clues are needed. Artist Ward adopts one innovation: pictures printed in black show the events of the narrative; in red, what the hero is thinking...