Word: lyne
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Dates: during 1990-1999
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Indeed, the reason why Lyne's film works is that it focuses upon the potential of film to beautify even the grotesque. The effect is a little artificial, a spectacle designed to seduce the viewer into turning away from the moral problem of the film. In a time when films often try to say something about life, here is a film about the power of film. Irene Hahn...
...hype that surrounded its 10-month saga to find an American distributor, Lolita is, in the end, surprisingly tame. Overwhelming us with a cascade of lovely images, Lolita succeeds in being tragically moving despite the unsavory plot. Indeed, the reason why Lyne's film works is that it focuses upon the potential of film to beautify even the grotesque. The effect is a little artificial, a spectacle designed to seduce the viewer into turning away from the moral problem of the film. In a time when films often try to say something about life, here is a film about...
...hype that surrounded its 10-month saga to find an American distributor, Lolita is, in the end, surprisingly tame. Overwhelming us with a cascade of lovely images, Lolita succeeds in being tragically moving despite the unsavory plot. Indeed, the reason why Lyne's film works is that it focuses upon the potential of film to beautify even the grotesque. The effect is a little artificial, a spectacle designed to seduce the viewer into turning away from the moral problem of the film. In a time when films often try to say something about life, here is a film about...
...Indeed, Lyne's film is excruciatingly conscious of the fact that it is, after all, a film, and therefore contrived with elements at the filmmaker's disposal to shape audience perception. The film never lets us forget that we are seeing a very personal memoir through Humbert's own eyes and ears. Scattered voiceovers give us glimpses into Humbert's observations and feelings. Meanwhile, trivial occurrences in the film are occasionally represented in almost too much detail, from the making of an ice cream sundae to the zapping of bugs on a porch, as they might be in Humbert...
...times, the utilization of these elements is so abrupt that it cannot help being jarring, as if Lyne is announcing, forcefully, that he is taking artistic license. Yet, his point is well-taken that we are observing the individual experience of a man whose emotional experience is unlike any other, particularly as he plunges deeper and deeper into a state of madness. When Humbert suffers from these bouts of insanity, twisted camera angles and the sudden jangle of discordant music cut into the narrative...