Word: lynn
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Like two punch-drunk prizefighters who decided that enough was enough, USX and the United Steelworkers reached a tentative settlement last week of the longest steel strike in U.S. history. Steelworkers President Lynn Williams and the union's chief negotiator Jim McGeehan were all smiles as they prepared to put the agreement to a vote of the membership, but the truth was that both sides lost. The 170-day strike forced USX, formerly known as U.S. Steel, to lose $500 million in orders. Meanwhile, 22,000 union workers forfeited six months of pay. The agreement does not solve the industry...
...compact and dark. Or lanky and blond. Two actors, John K. Linton and Barry Tubb, have the role but do not alternate: they are often onstage at the same time, embodying different aspects of the character. For that matter, Moore is not alone either: much of the time, Lynn Redgrave is alongside, sharing the character, occasionally compelling the youth to speak to both of them at once...
News Editor John N. Rosenthal '87 Night Editors J. Lynne Belcove '89 John Halifax, Esq. '87 J. Fernando Kahn '87 S. Lionel Lichtman '88 B. Allison Masters '89 J. Nicholas Rosenthal '87 M. Algernon Saal '87 Editorial Editor N. Sigmund Wurf '87 Features Editors M. Estelle Harris '88 J. Lynn Mnookin '88 Sports Editor J. Arabella Dorman '88 Copy Editor Sarah Bayliss '87 Business Editor Amy J. Merritt '89 Photography Editor John C. Vincent...
BOSTON UNIVERSITY (85): Lisa Smith 10-1--21; Laurie Fitchett 2-0--4; Laura Boettcher 5-1--11; Renee Kuwolski 5-2--12; Andrea Aschucks 6-2--4; Leslie Koper 2-3--7; Tia Theuiault 2-0--4; Lynn Bay 2-0--4; Lynn Kauando 1-2--4; Karen Wood 0-0--0; Lorinda Weber 2-0--4; Margery Hayney...
...little gem of a piece, a solid effort from writer-director Kaplan. Scenes are quick and to the point. Friends Neal and Brad (Will Provost and Matthew Schuerman) encounter Bevvy, the clinging woman (Karen Petrone); Alyssa, the Cold Pretentious Artist (Sarah Beck); and Lynn, the "mature" but power concerned puppeteer. All roles are performed soundly, with particular realism coming from a "golly-gee" Provost and the emotionally distant Beck. I'm not sure if Petrone's Bevvy is quite what was aimed for or not, but she does get a sense of "clingingness" across in any case. Schuerman impersonates...