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...show that it is the place of an unconventional family. He also has the satisfaction of knowing that his own breakthrough has opened the way to public acceptance for a whole generation of radical young British sculptors, topped by such bright new talents as Kenneth Armitage, Reg Butler, Lynn Chadwick, although they follow conceptions far different from Moore's own. Says a London art dealer: "It is not a Renaissance in British sculpture. It's a naissance, because before Moore there was almost none...

Author: /time Magazine | Title: Art: Maker of Images | 9/21/1959 | See Source »

...gave up middling playwriting and dramatic criticism to rescue the Broadway stage from commercial mediocrity in the 1920s by tenaciously putting on demanding works by such authors as G. B. Shaw, Eugene O'Neill, Robert Sherwood and William Inge, was the first to pair Alfred Lunt and Lynn Fontanne on the stage (The Guardsman, 1924); of a heart attack"; in Norwalk, Conn. The Theatre Guild never recaptured its glories of the '205 but achieved some later notable successes. It was Theresa Helburn who sent the script of Lynn Riggs's Green Grow the Lilacs to Composer Richard...

Author: /time Magazine | Title: Milestones, Aug. 31, 1959 | 8/31/1959 | See Source »

When Massachusetts' Democratic Governor Foster Furcolo requested a chance to speak to General Electric workers at Lynn last month in defense of his embattled proposal to boost the state sales tax, they deluged him with 200 unfriendly questions, such as: "When are you going to forget your giveaway programs?" "Why don't you do something to stop the disgraceful, wasteful spending of the taxpayers' dollars...

Author: /time Magazine | Title: THE NATION: Block That Tax Boost! | 7/20/1959 | See Source »

Beloit College Alfred Lunt and Lynn Fontanne, actors L.H.D...

Author: /time Magazine | Title: Education: Kudos, Jun. 15, 1959 | 6/15/1959 | See Source »

Guido & Grower. The gag had an unlikely beginning. It was born in Toots Shor's Manhattan saloon one afternoon in 1956, when Pat and a pal, Lynn Phillips, were relaxing from their jobs as time salesmen for NBCTV. They were already practiced hands at the dialect spoof. Pat had picked up a talent for mimicry from his father, a successful nightclub comic of the '30s, and he and his friend used their skill as a "sales adjunct" when they wanted to warm up prospects with a laugh or two. That afternoon in Shor's, the Andrea Doria...

Author: /time Magazine | Title: TELEVISION: Gambling on Guido | 6/1/1959 | See Source »

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