Word: lynnfield
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...absence of a bass player doesn't detract from the full sound the Lynnfield Pioneers achieve. The organ and guitar fill in the lower register. In fact, playing without a bass player gives a distinguished sparseness to their music and keeps the sound from becoming too cumbersome or heavy. Throughout they play with animated earnestness...
...Lynnfield Pioneers approach their craft with a less-skill-is-more attitude. None of the members stands out as a particularly gifted musician. The songs are simple: no odd meters or complex chord changes. Only the drummer, the most talented musician in the group, tries to play anything at all complex. But his hubris is evident as he foils many fills and distracts the listener from the flow of the music. Even without much skill, he and the rest of the band play with an in-your-face aggressiveness that overshadows their lack of technical prowess. Although balanced...
...Lynnfield Pioneers sound unabashedly unrehearsed. The tunes lack structure and coordination: The band seems to be no more aware of when the song should end than the listener. Many start with a open chord guitar riff that continues throughout, while nonsense vocals rhyme over the top and the Moog organ and drums embellish the texture...
...Lynnfield Pioneers are based in Brooklyn, and two members, Mike Janson and Dan Cook, hail from Lynnfield, Mass. Cook and Janson share the singing and guitar playing duties, and J.P. Jones holds the band together on drums. They are one of a number of new bands to play without a bassist. Emerge is their first full-length album on Matador Records, following a series of EPs released on that label. The band formed in 1995, when Janson and Cook, then roommates, began to record casually...
...Lynnfield Pioneers show off their pop sensibility on "Unlucky Stars." Though one of the more conventional tracks, it doesn't pander to possible radio play by compromising the band's out of tune, abrasive sound. The outfit displays their danceable side on "Get Off Your Feet." Janson and Cook sing catchy couplets in a style redolent of "Licensed to Ill." The song adheres to lyrical convention, enjoining the listener to "Dance!" many times over. The band approaches these conventions with a refreshing irony that prevents "Get Off Your Feet" and other more dance-oriented cuts from losing their originality...