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Last week, on Manhattan's 57th Street, four of the leading abstractionists broke out with simultaneous exhibitions. Argentine-born Frenchman Fernand Leger started out as a Cubist with Braque and Picasso in 1910. Russian-born Wassily Kandinsky and U. S.-born, German-bred Lyonel Feininger were long masterminds of Germany's Bauhaus group. Spanish-born Joan Miro is a surrealist who is more abstract than Surrealist Salvador Dali. Least abstract of the four abstractionists' pictures were those of stocky Fernand Leger, who now lives in the U. S. Leger's intricate designs, drawn with thick, coally...

Author: /time Magazine | Title: Art: Inclusive Ism | 3/17/1941 | See Source »

...critic the most brilliant of German moderns, was killed at Verdun in 1916, not before he had turned out vivid abstractions that run counter to Hitler's esthetic creed. But the casualties of war and poverty were dwarfed by the exiles represented: Abstractionist Paul Klee, Satirist George Grosz, Lyonel Feininger, who became a champion bicycle racer before he became one of the leading German cubists. For the London show, Austrian-born Oskar Kokoschka sent a wry Self-Portrait of a Degenerate Artist. A second canvas arrived in four pieces, hacked by Vienna police when Nazis seized Austria. Symbolizing...

Author: /time Magazine | Title: Art: Thirty Years War | 7/18/1938 | See Source »

...others: Russian Vasily Kandinsky, American Lyonel Feininger...

Author: /time Magazine | Title: Art: Ideas & Illuminations | 4/11/1938 | See Source »

...exhibition this fall is the result of favorable comment upon a similar exhibit held last year in Barcelona, by the Branhaus when they represented Germany in the International Exhibition. Among their artists are Lyonel Feininger, Paul Klee, and Von der Rohe...

Author: NO WRITER ATTRIBUTED | Title: EXHIBITION OF MODERN ART OF GERMANY BEGINS TODAY | 12/12/1930 | See Source »

Practically every one of the players in this piece maintains the average of excellence so noticeable in all the Henry Jewett productions. Perhaps Lyonel Watts as "Tony" does not quite reach the others in point of perfection. This discrepancy may, however, be due to his short and relatively unimportant part. Viola Roach, as Mrs. Frampton, gives us a very vivid and affecting picture of a human soul in agony. Her facial expressions as well as her gestures are convincing and true. She is the center of attraction at all times. E. E. Clive illustrates, in the role of Mr. Frampton...

Author: By A. B. N. jr., | Title: THE CRIMSON PLAYGOER | 10/27/1920 | See Source »

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