Word: lypsinka
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Drag performances, from the late Charles Ludlum to Lypsinka, have a long, honored tradition in Manhattan's downtown theater scene. But this is a wig of a different color. John Cameron Mitchell, who wrote the show and does a smashing turn (accompanied by a grungy back-up band) as the fictional Hedwig, avoids high camp, low sex jokes and Judy Garland impressions. True, Hedwig's stage patter has its share of double entendres ("I do love a warm hand on my entrance"), but the literate script is also a poignant meditation on loneliness, gender confusion and the Platonic notion that...
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