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Word: lyric (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Danius Turek plays a second masterful creation, Archibald Grosvenor, taciturn lyric poet, indomitable narcissist: in short dear chorines, the single apple of your collective eye. Men do not care for him. Turek is limited by an approximately normal skeletal structure, forcing him to exploit the variety of stuffed poses of which he is capable. He charts the attitude of pomposity with a mathematical vigor, with glorious shamelessness impossible since Freud's tinkerings...

Author: By Charles F. Sabel, | Title: Patience | 11/4/1967 | See Source »

...every hand gesture. Even more important to her than the craft of show biz s the art of the popular song. Over the years, she has learned the arcane alchemy through which a tune can be transformed by its treatment. When her warm, smoky voice curls languidly around a lyric or teases it along with up-tempo jazz phrasing, familiar material reveals unsuspected meanings and yields new freshets of feeling. "There are always deeper layers to discover in a song," she says. "That's why I'm never bored." Neither are her listeners...

Author: /time Magazine | Title: Pop Music: Parsimonious Peggy | 11/3/1967 | See Source »

...moving too slowly and having great trouble with the foreign-sounding words. Only Howard Cutler, as Khonnon, the young student whose anguished soul is the dybbuk of the title, and Mark Ritts, as the prophetic messenger, carry off their parts. Both have voices rich enough to support the lyric passages which are Anski's cache...

Author: By Charles F. Sabel, | Title: The Dybbuk | 10/27/1967 | See Source »

About the group's best rock number, intriguingly titled Saptapper, Moses, says. "A saptapper is someone who latches on to you. And when it's a girl, well, you know what that can do...." and quotes his own lyric...

Author: By Tim Hunter, | Title: The Streetchoir | 10/16/1967 | See Source »

Baring-Gould, who was a promotion writer at Time Inc. until his death last month, did his scholarly best to establish the limerick in early English tradition, with versions that reach back to the first modern lyric-"Sumer is icumen in"-but the classic limerick goes back no further than the work of Non sense Master Edward Lear, who, with British understatement, always wrote a clean, rug-pulling last line. Lear might have improved the popular appeal of his work if he had been able to follow the advice of Don Marquis on the proper quality of the limerick...

Author: /time Magazine | Title: Books: There Was A Young Man of ... | 9/22/1967 | See Source »

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