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Word: lyric (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...oratorio for the victims at Auschwitz (1967) and a Magnificat (1974). For the past four years, Penderecki (pronounced Pen-de-ret-ski) has labored on a huge, lofty project: recasting Milton's epic poem, Paradise Lost, into an opera. But last week, in its world premiere at the Lyric Opera of Chicago, Penderecki's huge effort failed to justify the ways...

Author: /time Magazine | Title: Music: Heavenly Bore | 12/11/1978 | See Source »

Arms flung wide, blowing kisses like confetti, Donna sashays around the stage in glittering costumes, exhorting the audience ("You are beautiful"), joshing the band, trading a little prefabricated bitchiness with her backup singers who undulate at sharp angles like clockwork Nefertitis when Donna wraps herself around a lyric. "I do not consider myself a disco artist," Donna insists, against all contrary evidence. "I consider myself a singer who does disco songs. What I like to do is expose my market to other parts of music...

Author: /time Magazine | Title: Music: Gaudy Reign of the Disco Queen | 12/4/1978 | See Source »

...Shot," the album's opening cut, is as angry and piercing a lyric as Joel has ever written, leaving no stone unturned in the world of jet-setters. But like "Movin Out" from The Stranger the words fall into a repetitive chorus set to a monotonous melody line which should make the song a radio favorite, though not one of the album's stronger cuts...

Author: By Mark D. Director, | Title: A Spirit Departed | 11/13/1978 | See Source »

...innovative soprano recorder solo, Joel cooks up a tonal recipe that would delight even the gourmet. But the song of the "crazy Latin" never fulfills the mood, wandering off into ineffective rhyme. With a cute Fender Rhodes carrying the tune, there are reminders of "James," but none of its lyric depth...

Author: By Mark D. Director, | Title: A Spirit Departed | 11/13/1978 | See Source »

...Fokine's "Sylphides" is more than a brilliant evocation of a bygone era's art; it is a superbly-integrated work of art in its own right, a choreographic realization of the mood of lyric poetry. Even the form is that of lyric: a sequence of expressive meditations, a personal dream-world made vivid in the ephemeral moment. Like the shapes in a dreaming mind, the dancers echo a single identity. All save the one man are dressed exactly alike in flowering tulle, and their interaction is a matter of motion, not of differing feelings. No sexual tension develops...

Author: By Jurretta J. Heckscher, | Title: The Classic and the Comic | 11/13/1978 | See Source »

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