Word: lyrical
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Dates: during 1960-1969
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...Donna Donna, Miss Baez uses a flowing translation of a lyric song composed by Sholom Secunda for the Yiddish musical theatre. Although it has long been a favorite of Jewish folksingers, and was recorded recently by Theodore Bikel and Martha Schlamme, Miss Baez gives it a delicate, and very personal touch...
...Welt's critic found "almost overpoweringly impressive." Hindemith's own work, musical settings to four long passages from the books of Matthew and Luke in Latin, evoked several strikingly different moods: the first and fourth motets were highly dramatic and rhythmically complicated; the second had the lyric simplicity of folk song, while the third was reminiscent of an Arab mourning song. They displayed, concluded Die Welt, an entirely "new creative impulse...
Exuberant & Witty. Performed by Russia's eminent cellist, Mstislav Rostropovich, and the visiting Leningrad Symphony Orchestra, the 28-minute concerto emerged as a work of compelling rhythms, long, curving lyric lines, exuberantly witty folklike figurations. Although its technical demands were tremendous ("If Shostakovich had written two more bars for the cadenza," said Rostropovich, "I could not have played them"), the acrobatics were not merely contrived, as has been true of so much of Shostakovich's recent work, notably his vapid, bombastic Eleventh Symphony. The concerto, wrote the Sunday Times, presented "a real conflict and a final solution...
...hooted at Townsend and the unworkability of his plan. But the cheers of Townsend's followers drowned out the jeers, and the Townsend Plan assumed ominous proportions as a religio-political movement with clubs in 42 states, a well-organized lobby in Washington and a Recovery Song (sample lyric: "Old folks will take their ease and have a bit of fun/And will be grateful to Townsend...
...praise to the words "It fits, it fits." taught him the virtues of a 16-hour work day.* Jerome Kern, who gave him the tall captain's table on which Hammerstein thereafter wrote standing up, taught him-ordered him, rather-never to use the word Cupid in a lyric. After hearing Kern's next melody for Show Boat (the music came first with Jerome Kern; words were filled in later), Hammerstein fired back lyrics that began...