Word: lyrical
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Dates: during 1970-1979
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...what must be record time: one hour. The chorus consisted of such New York City boosters as Polly Bergen, Robert Merrill, Ruby Dee, Celeste Holm and Guy Lombardo. They all assembled at a recording studio to perform one number, a snappily chauvinistic tune called Mad About You Manhattan. Sample lyric: "A double-decker bus is fun in Piccadilly Square/ But I prefer a subway car to take me everywhere." The idea is that the record will make money for the Citizens Committee for New York City, which is concerned with improving services in the debt-ridden city...
...song is a good ten years old. The place goes up for grabs: the collective memory of a generation is galvanized into sweet lyric communion; 16,500 fans in Atlanta's Omni arena stand, cheer, and start to drift away, remembering...
Listen to What the Man Said is a good tune, all right, with shrewdly alternated rhythms and a lyric that goes down easy...
...commissioned Bilby's Doll as his company's bow to the Bicentennial celebration. He has presented it well. Ming Cho Lee's skeletal sets have just the right blend of reality and make-believe. As Doll, Catherine Malfitano, 27, acts intelligently and sings with a clear lyric soprano; she is obviously going places. The rest of the cast is almost as good, notably Mezzo Joy Davidson (Hannah), Bass Thomas Paul (Bilby) and Tenor Jack Trussel (Shad...
...final moments of Taxi Driver constitute one of those endings too good too spoil. Intellectually it's a trifle slick, a sort of cinematic illustration of the old Rolling Stones lyric about "just as every cop is a criminal and all the sinners saints..." But if Scorsese teases us through the body of the movie with latent violence, he more than compensates for it in the final shootout--a rapid, graphic sequence of knives, bullets and blood, followed by a perversely loving, achingly detailed pan over the scene of the massacre. In this and in the epilogue, Scorsese achieves...