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Word: lyrical (lookup in dictionary) (lookup stats)
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Members of the Lyric Productions company are engaged in a gamble that has never paid off in Boston--they are trying to establish a permanent repertory theatre which aims at artistic as well commercial success. Their first effort has its weaknesses, not the least being Thieves' Carnival's previously limited renown. The group therefore relied on its own talents and not the reputation of its vehicle to draw an audience. Fortunately, almost the entire company is skillful enough to deserve a measure of success...

Author: By Thomas K. Schwabacher, | Title: Thieves' Carnival | 3/6/1956 | See Source »

Thieves' Carnival by Jean Anouilh is Lyric Productions' first offering. The place is Fine Arts Theatre, Norway Street, rather off-beat and unquestionably off-Broadway. At 8:40 p.m. tonight...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 3/3/1956 | See Source »

...distillation of rural American harmony--Mid-West gospel hymns, old English ballads brought by settlers, and corn-husking and square dance themes. This rural middle class tone, as opposed to the urban, low-class music of jazz and other contemporary American opera, makes the work distinctive. In its new lyric quality is a dissonance and irony which Four Saints, in all its tour de force, does not capture...

Author: By Gavin Scott, | Title: The Mother O.U.A. | 2/24/1956 | See Source »

...molten metal and broken glass. But the salvos were always tightly under control, and the fragments landed in a precise, intricate pattern. The concerto moved in a strong, surging series of climaxes, without concession to showiness or chic. For all its uncompromising musical headwork, Sessions' concerto had a lyric calm that pervaded even the lightning shifts and stabbings of the fast passages...

Author: /time Magazine | Title: Music: The Moderns on Parade | 2/20/1956 | See Source »

...Milton Academy where we were preparing for Harvard . . . Our collaboration in college came about by accident. I was banging out a melody at the piano, one afternoon, when Sherwood dropped in. He listened for a few minutes and I turned to him and said, "All I need is a lyric." Without so much as a flicker, he grabbed some paper and began drafting the rhythm on which to base his lines. I have heard of rapid composers but I doubt if any other American lyricist could equal the speed of Sherwood, or, for that matter, could compose finer poems...

Author: By Samuel P. Sears, | Title: Sherwood: Memories Of His College Days | 2/10/1956 | See Source »

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