Word: lyrical
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...concert" caliber; on occasion, he has taken baton in hand, conducted the New York City Ballet orchestra in ballet performances. At 46, a U.S. resident for 17 years and a citizen for twelve, he is also, beyond doubt, the finest living choreographer. No one today can equal the lyric grace of his inventions, the cool classicism of his abstract designs. Totting up all of his various qualities, the Nation's exacting B. H. Haggin goes so far as to call him "the greatest living creative artist...
...little 11th hole at [Tarrytown, N.Y.'s] Sleepy Hollow, a one-shotter of 142 yds., is, on the other hand, attractive and gay. It is comparatively easy. The trees are soft and inviting, the reflections in the water are lyric and I have tried to give just that impression in my colorful and atmospheric interpretation...
...gets a chance to hurtle through some galvanic shenanigans, practically no chance to show her more impressive ability as an actress. Astaire's feet seem more facile than ever. In one solo he does a delightful ballet version of Jack and the Beanstalk while singing a bright lyric by Frank Loesser. In both he is nimble and ingenious enough to stop the show. Unfortunately, the show goes right...
Word of a sensational new Spanish singer first began to drift across the Atlantic early last year; a 25-year-old raven-haired, camelia-skinned lyric soprano named Victoria de los Angeles, singing in opera and recital, had taken London and Paris by storm. Sharp-eared U.S. Impresario Sol Hurok investigated and joined the cheering section. Metropolitan Opera General Manager Rudolf Bing, who sailed for Europe last spring rather certain that his roster of leading sopranos was complete, changed his mind when he heard her. By last week, Soprano de los Angeles' first U.S. concert performance was just about...
...Covent Garden, Manhattan's Metropolitan. Caruso, with whom she made a stunning U.S. debut as Tosca in 1916, once said that Claudia "knew all of our stage tricks before she wore long skirts." She had a voice to match her acting: she could, and did, sing coloratura, lyric and dramatic soprano parts with equal ease. In Buenos Aires one time, when Giovanni Martinelli momentarily lost his voice in the third act of Catalani's Loreley,* she carried off his tenor part as well...