Word: lyrically
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Dates: during 1930-1939
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...premiere last week the much-discussed concerto's orchestral score was outlined by a piano accompaniment. Judging by the rather sketchy results, critics were inclined to support Joachim's deprecation of the work. Typical of Schumann were its lyric melody, its cyclical form and the elusive rhythm of its slow movement. Also typical was its occasional awkwardness for the violin (Schumann was a pianist). Very obvious, despite Menuhin's contentions, was the need of editing. Most of the important violin concertos by great masters have either been edited by, or written in collaboration with, some eminent violinist...
...Civil War. It is a harsh, unsparing book. The fascists who crowd its pages are brutal, the revolutionists fanatical, the peasants stupid, the intellectuals timidly ineffectual or suicidally brave. Writing with deceptive simplicity, sometimes introducing real people like Andre Malraux, Nogales occasionally hits a strange note of lyric violence: "In the morning light a bomb thrown from an airplane leaves behind a pretty, luminous wake. The tuning fork of space vibrates on being struck...
...poets make fewer excuses for themselves, and with good reason. Of course the better sort of poetry has a timeless quality, and the passing of years does not invariably make a better poet of a promising beginner. What lyric of Moody's, for example, is better than the song...
Presiding over his radio program of incredibilities, Robert Leroy Ripley beckoned to the microphone a tubby lyric tenor who had played obscure cinema parts. Listeners heard a thin voice with forced higher registers pour out "O Pari-diso" from L'Africaine, one of the favorite arias of the late great Enrico Caruso. Announced Mr. Ripley: "You have just heard the voice of Enrico Caruso Jr.- believe...
...plot is only an excuse for putting across the music and dancing, and in this case is not hard to accept when accompanied by the show's well-drilled ballet and the voices of Margaret Bannermann and Michael Bartlett. Miss Bannermann has an ideal voice for interpreting the lyric Straus melodies, and Michael Bartlett boasts a pleasing velvet tenor as well as a profile of the best vaudeville tradition. Their most beautiful number probably is the duet, "To Live Is to Love," written by Johann Straus...