Word: lyrically
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
When Kirsten was 16, she started to study. She recalls that "my voice was very small, but it carried." For many years she sang light lyric roles (Mimi, Rosalinda). Her voice first began to grow into its present astonishing hall-filling power when she started to study Isolde, at 37. She found that after only three weeks of the vocal exertion Wagner demands, "my back became two inches broader. I did not gain any weight, but I couldn't get into my old dresses...
...Faith Baldwin Theater of Romance (alternate Sats. 11 a.m., ABC) hopes to mirror the rosy view of U.S. life & love that has enchanted the Baldwin millions. The first show opened with harp strings, cloud formations and a lyric hymn to Maidenform ("The dream of a bra . . . the largest-selling brassiere in the world!"), illustrated with sexy shots of bra-girls skiing, stretching, or just standing around in half-dressed hauteur...
...Priscilla Morrill as the spunky maid, and Paul Ballantyne as an Enlightened bourgeois. Jan Farran is a tempting Madam Organ, and Jerry Kilty is, just as he should be, incredibly impetuous as Monsieur Organ's son. Kilty parodies--with the utmost skill--Baroque music and Baroque graces in a lyric which he has written for Louis XIV, who, by the way, is seated in the Brattle Royal Box. And then there is Fred Gwynne who during the Prologue wanders in briefly as a most foppish of fops...
...boast, as no other house in the world, that it can assemble two complete, topflight Casts for almost any of its performances. No other house has interchangeable lyric tenors of the quality of Jussi Bjoerling and Richard Tucker: baritones such as Leonard Warren and Robert Merrill; bassos such as Jerome Hines and Cesare Siepi; and dramatic sopranos such as Helen Traubel and Kirsten Flagstad, not to mention the good looks and comic flair of a Patrice Munsel...
...Cyrano, Ferrer has also taken away the element of audience self-identification, perhaps the most important aspect of the play. This is not to say that Ferrer's acting is not often superb. It is. In the balcony and convent scenes, he extracts the utmost from Rostand's brilliant lyric poetry. It is only with his interpretation of Cyrano's character that one can take exception...