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...included enunciation, programing and "how we acquire balance." Students sat in on rehearsals and broadcasts, got pointers on microphone technique, learned how to tap time properly with the feet (the heel, not the toe). They were also exposed to such Waring inspirations as Tone-Syllables, a phonetic method of lyric singing ("Mah-ee Bahn-nee lah-ee-zo-oo-vuhr thee o-oo-shun"). By the end of the eight-week semester, all the students, including eight nuns, were fairly groovy...

Author: /time Magazine | Title: Radio: The Waring Mixture | 8/25/1947 | See Source »

Sports are Bob Stanton's specialty, and sports thus far are television's biggest attraction. Once, back in 1932, he had a brief fling at singing in a band (his onetime lyric tenor has now become a well-modulated announcer's baritone), but singing was "too much of a grind." After he began sports announcing, he spent eight years playing second fiddle to Sportcaster Bill Stern, doing the crowd description fill-ins at big games and announcing the second-string events. In 1940 he had a chance to telecast the New York World's Fair Soap...

Author: /time Magazine | Title: Mr. Television | 5/26/1947 | See Source »

Barbara K. Smyth, Radcliffe '50, won the John Osborne Sargent Prize for the best metrical translation of a lyric poem Horace. The award amounts...

Author: NO WRITER ATTRIBUTED | Title: 'Cliffe Freshman, Grad Student Win Literary Awards | 5/12/1947 | See Source »

...Koussevitzky's interpretation may be subject to personal criticism, but it is a warm, lyric approach that does full justice to the cyclical construction and almost earthy quality of the music. For, despite name, the Requiem is not sorrowful or morbid, but confident and reassuring. Particularly fine were the male voices in the great fortissimo, "Behold, all flesh . . . ," and Radcliffe attained equal stature in the flowing fourth section and the final fugue. The impassioned soprano solos of Miss Frances Yeend lent the note of high personal achievement needed to round out a very satisfying concert...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 4/23/1947 | See Source »

Back a number of years two successful songwriters known as Bert Kalmar and Harry Ruby, propelled by the conviction that the typical popular song could be classified as somewhere between ridiculous and ghastly, put out a book of songs burlesquing the lyric and melodic conventions of Tin Pan Alley. This collection included such masterpieces of lyric vacuity as the following lines...

Author: NO WRITER ATTRIBUTED | Title: From the Pit | 3/11/1947 | See Source »

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