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...year after he wrote this lyric, William Guggenheim, 72, maverick brother of the copper tycoons, wrote a last will & testament that was even cornier. The will left nothing to his wife and child, split his $1,000,000 estate (Broadway's estimate) equally among four women-all his "protegees" at the time of his death last June. The protégées: Lillyan Andrus (Miss America of '29), Mildred Borst (Miss Connecticut of '30), Marialyce Rice, a Texas-born Ziegfeld beauty. The fourth beneficiary: his secretary, Florence Sullivan...

Author: /time Magazine | Title: People: People, Aug. 4, 1941 | 8/4/1941 | See Source »

...bring this broad-shouldered musical form to its first public birth. Since, along with Negro spirituals, Negro blues are the most distinguished U.S. lyric art, that is no small achievement...

Author: /time Magazine | Title: Books: Obstetrician of the Blues | 7/7/1941 | See Source »

President Niles Trammell of NBC persuaded musical General Manager Kent Cooper, 61, of A.P. to publish and broadcast the Cooper-dooper Dixie Girl. Mr. Cooper "wrote the lyric and music in 1923 and the rhythm is of that time." So is the lyric: Never knew such wonderful days, Glorious days, it seems. All because her wonderful ways Make life sweeter than dreams. Chorus: 'Way down in Dixie, In sunny Dixie, Some one's waitin'. Soon I'll be datin' My darlin' Dixie girl...

Author: /time Magazine | Title: People: People, May 26, 1941 | 5/26/1941 | See Source »

Kidding himself, breakfast foods, Mother, and "Orson," he sashayed through a primer that contained a lot of deft, well-timed writing. He produced some more than casually turned lyrics, and a good deal of information about what goes on in a radio studio.¶stood for Crossley ratings. M was for Mother ("All mothers are wise, and most of them speak with a sectional accent"). O was for Orson, celebrated in a lyric commencing "Who is Orson? What is he, that all the critics hail him?" and ending "All is well that ends with Welles." At Q, quizzes came...

Author: /time Magazine | Title: Radio: Pixie's Primer | 5/12/1941 | See Source »

...theme of Flotsam is one of the most massive, intimate and terrible derangements of human living within human memory. Remarque, able as he is, is not fully equal to it; perhaps no human talent could be. Besides, Flotsam has some lyric flights that droop in midair; some touches of sentimental sententiousness; some comedy too national quite to cross a border; one or two bits almost of cheapness. But Remarque, like Hemingway, has the rare ability to produce writing which is both a genuine work of art and popular; and to embody a generation. For that reason Flotsam is a deeply...

Author: /time Magazine | Title: Books: The Meaning of Exile | 4/28/1941 | See Source »

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