Word: lyricism
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...most propitious time, inasmuch as the best propitious time, inasmuch as the best work of the romanticists has been completed. The two leading men of this reaction were Baudelaire and Leconte de Lisle. The latter is essentially an objective poet and his poetry is noticeable lacking in any personal lyric strain. He is a poet philosopher and something of an historian. Baudelaire maintained that inspiration consists of work and he opposed the romanticists' idea of subordinating art to the artist...
Romanticism was most successful in lyric poetry; naturally it was least so on the stage. Classic tragedy was dead. Shakespeare and Schiller were used as models. Mme. de Stael wrote "L'Allemagne," Stendhal wrote "Racine et Shakespeare." Victor Hugo in his "Preface de Cromwell" defined the drama as a mixture of the tragic and the comic with an historic stage setting and with out the three unities. But these are not the real signs of the romantic drama. In fact there was a style of play which was increasing in popular favor as tragedy declined; this was the melodrama. Romantic...
...plays of Victor Hugo are good only by reason of their form,- their lyric quality, in "Hernani" and "Ruy Blas,"- their epic character in the "Burgraves," which was a forerunner of "La Legende des Siecles...
...visit to Aix where he came into relations with the original of his Elvire. As for his own personal nature, he is essentially an optimist. In this way he was able to give their true poetic value to those sentiments which are the very substance of lyric poetry. Love he considers an eternal sentiment; death the dawn of a glorious immortality. In nature he sees a comforter of man. His religious sentiment is a belief in the existence of the Creator in every created thing...
Romanticism began in 1820 with the publication of Lamartine 's "Meditations." Then the movement went from lyric poetry to the drama in the preface to "Cromwell." The failure of the "Burgraves" marks the decline of the school...