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Word: lyricisms (lookup in dictionary) (lookup stats)
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...Nadler ’10-’11 sat at the piano. As his hands moved back and forth across the keys, he began to sing Sam Cooke’s 1957 love song “You Send Me.” When he came to the lyric, “Now I find myself wanting to marry you and take you home,” he turned expectantly to his then-girlfriend Tova S. Weiner Nadler ’10. She looked quizzically back...

Author: By Jamison A. Hill, CRIMSON STAFF WRITER | Title: Wedding: Hillel Nadler ’10-’11 and Tova S. Weiner Nadler ’10 | 5/27/2010 | See Source »

...poem is the evolution of self-doubt more apparent than in “I,” in which Williams directly addresses the idea of lyric subjectivity. After referring to Goethe as “One of those ‘I’s who aren’t truly at one with themselves, / who in construing themselves betray the ‘I’ they could/should have been,” Williams implies that his own “I” is, like Goethe’s, not entirely trustworthy. However, although he casts doubt...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Pulitzer-Winning Poet Williams Channels Voices from the Canon | 4/27/2010 | See Source »

...second project, students designed modern-day mosques showcased through models or videos, while the final project will involve writing a love lyric or narrative epic based on Persian and Arabic examples...

Author: By Julie R. Barzilay, CRIMSON STAFF WRITER | Title: Gen Ed Promotes Creative Classwork | 4/12/2010 | See Source »

...back / Reunite like The Wu.” This lyric, slotted into the middle of “Wu Massacre’s” first single, “Our Dreams,” sets the tone for this release by three of the Wu Tang Clan’s most well-known members: Method Man, Ghostface Killah, and Raekwon. However, this is no mere return to the 1990s Wu formula of steady beats and stripped down samples overlaid with brutally compelling raps. Instead the album represents a boldly dynamic approach...

Author: By Colm Dubhrosa, CONTRIBUTING WRITER | Title: Method Man, Ghostface Killah, & Raekwon | 4/6/2010 | See Source »

Welsh National Opera’s (WNO) production of Richard Strauss and Hugo von Hofmannsthal’s “Ariadne auf Naxos” ran at the Boston Lyric Opera (BLO) from March 12-23 in its North American premiere. The production was worth shipping across the Atlantic. Funny and well-acted, it wryly reimagines Strauss’s and Hofmannsthal’s dialogue between the comic and the serious as a commentary on the state of contemporary opera—simultaneously providing an impressive showcase for virtuoso singing...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BLO Injects Rock Attitude into 'Ariadne' | 3/23/2010 | See Source »

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