Word: lyricisms
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...Mutations, the album most similar to Sea Change, has several songs that sound exotic, clever and conspicuously weird, as if Beck were doing an emotional experiment rather than summoning actual feelings. ("Puritans stare, their souls are fluorescent/The skin of a robot vibrates with pleasure" went one particularly opaque Mutations lyric.) But Sea Change feels distilled from real tears, and the sonic intensity is helped in part by Beck's physical maturation. His singing voice has got significantly deeper. "Before we recorded," says Godrich, "we listened to Mutations, and his voice sounded like Mickey Mouse. His range has dropped. Now when...
...wake of this experience that Rumi's formidable output of poetry began: a catalog that in its surviving form runs to a dozen thick volumes. Rumi's masterpiece, the Mathnawi, is a fantastical, oceanic mishmash of folktales, philosophical speculation and lyric ebullience in which the worldly and the otherworldly, the secular and the sacred, blend constantly. For Rumi, the universe is like a tavern where people, drunk with desire and longing, collect and carouse until they finally remember their true calling: return to an Islamic God whose all-encompassing love is the core of every earthly love from the most...
...honor of its twenty-fifth anniversary, the Boston Lyric Opera (BLO) decided to give the people of Boston a present: the production of Carmen on the Common. Over the past year, the BLO has spent over a million dollars on Carmen, and its employees have poured an equal amount of energy into the project. Some could imagine, however, that even the most resourceful of BLO employees were overwhelmed upon discovering that the Boston Common sprinklers had soaked all of the costumes the day of the dress rehearsal...
Judging from the crowd and the applause, one may safely conclude that the Boston Lyric Opera’s outreach to the people of the greater Boston area was a definite success...
...sounds a little flat in the upper registers. Then JLL races into his vocal. This is a 12-bar blues with a difference: the breaks come not in the first two lines (as in, say, Little Richard's "Long Tall Sally") but in the fourth and sixth, giving the lyric room to build to a natural dramatic climax and the pianist room to paint his sound-portrait. Of course there's a slew of arpeggios (eight, to the all-time record 11 in "Great Balls") and the satyr-singer's invocation of the magic moment "when your hips start rockin...