Word: lyricist
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Dates: during 1970-1979
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...wrote fancier uptown R. and B. than a young Jewish girl from Brooklyn named Carole King. Fast approaching 20, she and her first husband, a lyricist named Gerry Goffin, caught on early with songs like the Shirelles' Will You Love Me Tomorrow (1961) and the Drifters' Up on the Roof (1963). Masters at making their point quickly, their lyrics were predominantly simple, sentimental statements about love and loneliness, their melodies ingeniously brief...
...Lyricist Stephen Sondheim says clever rhyming is easy. Would he rhyme "silver...
...picketed by the Jewish Defense League, editorially scolded by the New York Times, and flooded with hate-mail. Nothing daunted, however, the persistent Bernsteins last week gave another political party in their Park Avenue pad. This time, it was Catholic Chic: 125 guests (including Producer-Director Harold Prince, Composer-Lyricist Stephen Sondheim and Cartoonist-Playwright Jules Feiffer) raised some $35,000 to help defend Father Philip Berrigan, Sister Elizabeth McAlister, and the other six antiwarriors accused of plotting to kidnap Henry A. Kissinger and blow up some of the federal heating system. For some reason, nobody from the press...
...Many Mornings," a love duct sung by John McMartin and Dorothy Collins, are the best things on the record. Sondheim's lyrics are really magnificent, tender and clever at the same time, and the songs always belong to the characters who sing them. Time called him "Broadway's supreme lyricist" and it is beginning to seem like an obvious statement. But Sondheim is also Broadway's master composer, which fewer critics seem to realize, perhaps because he refuses to write formula AABA melodies unless they are parodies (although all of his parodies are infused with great love for and understanding...
...last year's musical hit Company, Composer Sondheim seemed cloned from Lyricist Sondheim. Indeed, the score packed so many syllables and notes into each bar that it gave the sensation of a double-crostic for the ear. As Pianist Artur Rubinstein observed: "A most brilliant score. I couldn't hear all the words, but then I don't hear all the words at the opera, either...