Word: lyricists
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Dates: during 1970-1979
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...story were essentially the work of Reporter-Researcher Janice Castro and Contributor Jay Cocks. Castro, who had completed lengthy interviews with the four group members in November, rejoined them in Buffalo last week, shortly after eleven fans were trampled to death at a Who concert in Cincinnati. Cocks interviewed Lyricist and Guitarist Peter Townshend and wrote the story, which assesses the group's 15 turbulent years of tragedy, transformation and continuing success. "I've been a Who fan forever," he says. "Unlike many rock musicians, they are capable of discussing their music, its evolution and its objects with...
Keep in mind that, as the composer and lyricist of Kiss Me, Kate, I have certain conceptions--you might say standards--of how the show should be staged. Before tonight. I saw the show performed only by Broadway professionals, and I believe it entirely unfair to compare these kids here at Kirkland House with, say, the original cast...
...them up as meat pies. With Angela Lansbury and Len Cariou in peak performances, Sweeney Todd is a classic example of the remarkable virtuosity and range of the U.S. musical when it is in the hands of two flamboy ant masters of the stage, Director Harold Prince and Composer-Lyricist Stephen Sondheim. It is also the closest Sondheim has come to writing an opera, albeit dark, cynical and morbid...
...People were walking out in droves," recalls Thomas Meehan, who wrote the script. The company began to follow. Director-Lyricist Martin Charnin, part of the team that made Annie a success, was replaced by Cy Feuer, producer of such hits as Guys and Dolls and Can-Can. "There was a confrontation between Liv and me as to how the musical would work," explains Charnin. Cohen and Feuer decided that more excitement was needed. Enter two dancers. They did not fit and were fired. A new choreographer arrived with six more dancers. Rodgers, well known for his speed in composing...
Today regarded as an American musical classic, Lerner and Lowe's Camelot met with a less-than-enthusiastic reception from critics when it originally opened. They dismissed the Lerner show as being inferior to My Fair Lady, its immediate predecessor by the same composer-lyricist team. The comparison irritated Lerner, who pointed out that he and Lowe had had hits before My Fair Lady, such as Brigadoon...