Word: lyricists
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Dates: during 1980-1989
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...that score he seldom failed. With Ira as lyricist, George composed the up tunes that seemed the antidote to depression, financial or psychological. Composer Alec Wilder remarked, "Since Gershwin was rarely given to sad songs, what could have been a more welcome palliative for the natural gloom of the times than the insistently cheery sound of his music?" The sound never fades. This year there have been TV specials, new recordings and productions like the Glyndebourne Opera Festival's sellout Porgy. Next season a musical will be fashioned from the old melodies, with a new book by Neil Simon...
...policymaking arm of the U.S. Government. "Abe Sofaer is a great New York lawyer," Governor Mario Cuomo told a breakfast group. "If they tell him 'Make it legal, Abe,' he'll make it legal." Sofaer refuses to get caught in a law-vs.-policy dogfight. He cites Lyricist Sammy Cahn's dictum that it is impossible to say "what comes first, the music or the words...
Starlight, which opened in London in 1984, comes from a glittering team: Director Trevor Nunn, Set Designer John Napier and Lighting Designer David Hersey, who mounted Nicholas Nickleby, plus Composer Lloyd Webber and Lyricist Richard Stilgoe, who had joined the former trio to devise Cats. In reconceiving the show for Broadway, the creators had some smart ideas: instead of a gloomy, abandoned train siding, the gaudy set now represents a panorama of the U.S., dotted with highlights a child might recognize, from the Statue of Liberty to the Golden Gate Bridge; the recorded narration too is now by a child...
...work so plot-heavy and meticulously told, Les Miserables began life as a score rather than a libretto, appeared as a record album before it reached the stage, and languished for five years between the French and British productions. The original creators, Composer Claude-Michel Schonberg and Lyricist Alain Boublil, owed little to French musical-theater tradition -- there isn't much of one -- and a lot to rock operas like Jesus Christ Superstar. In their 1980 version at the 4,000-seat Palais des Sports in Paris, the show ran little more than half its present length and consisted...
WHAT GAVE the staged Little Shop its appeal was the purity of its homage to Cliche. Writer and lyricist Howard Ashman and composer Alan Menken built their Little Shop out of an inestimable number of dramatic, social, cinematic and musical commonplaces. Superficially, it followed the plot of the Corman picture, but it also obeyed dramatic rules enforced through the millenia: the Ashman/Menken Little Shop was a carefully structured Greek tragedy, replete with chorus, hero, dilemma, tragic flaw, catastrophic misstep and ultimate retribution. Snappy Chiffons-type songs and bouffant hairdos notwithstanding, the resolution of Little Shop was closer to that...